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Best of the Week: Teeing Up Sundance, Tackling #OscarsSoWhite, ‘London Spy,’ Survival Stories, and More

Best of the Week: Teeing Up Sundance, Tackling #OscarsSoWhite, 'London Spy,' Survival Stories, and More

The Academy’s Diversity Problem Is Complicated 

Academy Members React to Rule Changes to Deal with Nominations Controversy 

‘Anomalisa’ Filmmakers on Animated Sex, Their ‘Impossibly Low’ Budget, and the Sad Impatience of the Studio System

Arthouse Audit: Oscar Contenders Get Nominations Boost, Led by ‘Brooklyn’ 

Brie Larson and Leonardo DiCaprio Win Critics’ Choice Awards, ‘Spotlight’ Takes Best Picture (VIDEO CLIPS)

Design for Living: Evaluating the Oscar Nominees for Best Production Design

EXCLUSIVE: 14 Finalists Compete for $300K in San Francisco Film Society Grants

EXCLUSIVE: Film Crowdfunding Platform Seed&Spark Launches Distribution Arm 

First Look: Alexander Payne, Janus Films Present Restored Italian Classic ‘I Knew Her Well’ (EXCLUSIVE POSTER)

How They Made the Oscar-Nominated ‘Mad Max: Fury Road’ VFX 

How They Scored the Oscar-Nominated ‘Carol’ with a Trio of Love Themes

Indiewire Joins Penske Media

The Many Seductions of ‘London Spy’ 

On the Eve of the Presidential Primaries, Docuseries Get Political 

Remembering Eagles Guitarist Glenn Frey’s First Film, ‘Let’s Get Harry’

Screen Talk: Do Sundance Movies Make Money? 

Sundance Programmers Flag Some Festival Must-Sees

They Will Survive: Why Oscar Loves Tales of Perseverance

Things I Learned on the Awards Circuit

Top 10 Takeaways: Oscar Box Office Scorecard: ‘The Revenant,’ ‘The Big Short’ Get Strong Boosts

WATCH: In Chilling Trailer for Berlin Selection ‘On the Other Side,’ Many Questions, Few Answers (EXCLUSIVE)

When It Comes to Viewership Numbers, Netflix Can’t Have It Both Ways (Analysis) 

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