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Best of the Week: First Berlinale Reviews, Inside the Oscar Circuit, Roger Deakins on ‘Hail, Caesar!’ and Much More

Best of the Week: First Berlinale Reviews, Inside the Oscar Circuit, Roger Deakins on 'Hail, Caesar!' and Much More

A Letter to Michael B. Jordan

Arthouse Audit: ‘The Club’ and ‘Rams’ Reveal Weakness in Subtitled Film Market

Berlin Review: Could ‘War on Everyone’ Be the Best Bad Cop Comedy Ever? 

Berlin Review: With ‘Midnight Special,’ Jeff Nichols Offers Up a Very Special Sci-Fi Thriller 

Bona Fide Acquires Movie Rights to Knausgaard New York Times Series ‘My Saga’ for Alexander Payne (EXCLUSIVE)

‘Deadpool’ Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents

Final Draft Awards Winners, Paul Schrader Joins Hall of Fame 

How John Ridley and Company Create the Emotional Resonance of ‘American Crime’ 

How They Designed the Characters and Sounds for the Oscar-Nominated ‘Mad Max: Fury Road’

How They Dressed the Oscar-Nominated ‘Carol’ and ‘Cinderella’ (Video)

Inside the Directors Guild Awards

Inside the Oscar Nominees Lunch

Jacques Audiard Wants Magic, Not Realism, in His César Nominee ‘Dheepan’ 

Oscars: Evaluating the Best Costume Design Nominees

Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) 

Roger Deakins on Shooting Hollywood From the Inside Out in ‘Hail, Caesar!’ (Video)

Screen Talk: How ‘Room’ Could Contend for Best Picture 

Top 10 Takeaways: ‘Hail, Caesar!’ Leads Three New Releases—Which Barely Total $20 Million

WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More

What’s in a Number? From Netflix to HBO Now, Subscriber Data Is an Expectations Game

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