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FSLC Announce Shorts Programs And New Section Explorations For 54th New York Film Festival

Explorations showcases new work by Albert Serra, Douglas Gordon, João Pedro Rodrigues, and more. The New York Film Festival takes place between September 30th and October 16th.

New York Film Festival

“54th New York Film Festival”

FSLC/NYFF

The Film Society of Lincoln Center today announced the lineup for Explorations, a new section featuring bold selections from the vanguard of contemporary cinema, and Main Slate shorts for the 54th New York Film Festival.

READ MORE: NYFF Reveals Main Slate of 2016 Titles, Including ‘Manchester By the Sea,’ ‘Paterson’ and ‘Personal Shopper’

Explorations is devoted to work from around the world, from filmmakers across the spectrum of experience and artistic sensibility. It kicks off with six features, including Albert Serra’s latest, “The Death of Louis XIV,” featuring a tour de force performance by French cinema legend Jean-Pierre Léaud; Douglas Gordon’s portrait of avant-garde icon Jonas Mekas, “I Had Nowhere to Go”; João Pedro Rodrigues’s “The Ornithologist”, which won him the Best Director prize at Locarno; as well as Natalia Almada’s “Everything Else”, Gastón Solnicki’s “Kékszakállú,” and Oliver Laxe’s “Mimosas.”

New York Film Festival Director Kent Jones has this to say about Explorations, “We got to thinking about the composition of the festival, and it seemed like it might be interesting to add a new element, a new section of films linked by a common spirit of adventurousness on the part of the filmmakers. We talked it over as a group, everyone liked the idea, and these are the six films we chose for the first incarnation.”

This year’s festival also showcases 23 shorts in five programs as part of the NYFF Main Slate. Shorts Program 1: Narrative includes emerging filmmakers such as New Directors/New Films alum Terence Nance (An Oversimplification of Her Beauty) and Roger Ross Williams, a co-creator of Convergence’s Traveling While Black and an Oscar winner for Best Documentary Short. Shorts Program 2: International Auteurs highlights new short work from acclaimed directors Nadav Lapid, Bertrand Bonello, Jia Zhangke, and Gabriel Abrantes, while Shorts Program 4: New York Stories focuses on New York City, featuring Gina Telaroli (NYFF Artists Academy 2015), Dustin Guy Defa (Local Color: The Short Films of Dustin Guy Defa, FSLC 2015), and the directorial debut of New York actress Chloë Sevigny. The second annual Genre Stories and the inaugural Documentary shorts program present global tales, both real and unreal, and boast world premieres of Jack Burke’s “New Gods,” Adam Goldhammer’s “Imposter,” Lewie Kloster’s “Legal Smuggling with Christine Choy,” Matt Tyrnauer’s “Jean Nouvel: Reflections,” and Mila Aung-Thwin & Van Royko’s “The Vote.”

READ MORE: FSLC Announces Revival Lineup For 54th New York Film Festival

Check out the full lineup of Explorations and Main Slate shorts with accompanying descriptions below. The New York Film Festival takes place between September 30th and October 16th.

Explorations

“The Death of Louis XIV” (Albert Serra, France/Portugal/Spain, 2016, 115 min, U.S. Premiere): The great Jean-Pierre Léaud, synonymous with French cinema for over half a century, delivers a majestic, career-capping performance as the longest-reigning French monarch during his final days. Albert Serra’s elegant, engrossing contemplation of death and its representation finds the extravagantly wigged Sun King slowly wasting away from gangrene in his bedchamber, surrounded by devoted servants, pets and a retinue of hopeless doctors. Filled with ravishing candlelit images and painstaking details gleaned from Saint-Simon’s memoirs and other historical texts, Louis XIV is as darkly funny as it is moving, revealing the absurdity of the rule-bound royal court, but even more so of death itself. Showtimes: Thursday, Oct 6, 6pm (ATH); Friday, Oct 7, 6pm (HGT)

“Everything Else” (Natalia Almada, Mexico, 2016, 90 min, North American Premiere): The first fiction feature by accomplished documentarian Natalia Almada is inspired by Hannah Arendt’s idea that bureaucratic dehumanization is the worst form of violence. Oscar nominee Adriana Barraza (“Babel”) gives a haunting, unsentimental performance as Dona Flor, an elderly government clerk who punishes her clients as unreasonably as life has punished her. But when she loses the last living creature she cares for, she goes into crisis. Almada reveals a cross-section of Mexico City’s population, creating an intimate portrait of one woman among the multitude who remain resilient despite oppression and corruption. Showtimes: Friday, Oct 14, 6pm (WRT); Saturday, Oct 15, 4pm (HGT)

“I Had Nowhere to Go” (Douglas Gordon, Germany, 2016, 97 min, U.S. Premiere): Autobiography and biography merge in this often shattering, sometimes absurdly funny collaboration between two polymath artists, Douglas Gordon and Jonas Mekas. Gordon’s unlikely project, to bring to the screen Mekas’s prose memoir of his first decade in exile from Lithuania and journey from post-WWII displaced persons camps to New York, where he finds his vocation as a filmmaker, yields an operatic experience of sound and image. The film—which features Mekas reading his own text in haunting, musical voice-over—attests to one extraordinary man’s experience of loss and desire to make a new life, yet also resonates as a tale of the diaspora in which tens of millions exist today. Showtimes: Thursday, Oct 13, 6pm (WRT); Friday, Oct 14, 9:15pm (BWA)

“Kékszakállú” (Gastón Solnicki, Argentina, 2016, 72 min, U.S. Premiere): The new film from Argentinian director Gastón Solnicki (Papirosen) is a singularity: a playful portrait of spiritual lethargy. Partly inspired by Béla Bartók’s opera “Bluebeard’s Castle” (vivid passages are heard throughout the film), it is comprised of moments that seem to have been drawn from memory, with an elliptical continuity that moves according to forms, colors, sounds, and states of being. There is no protagonist in “Kékszakállú,” but several young women blanketed under layers of sunlit lassitude and politely tamped down discomfort. Nevertheless, this is a joyful experience, moving inexorably toward liberation. Showtimes: Tuesday, Oct 4, 8:45pm (WRT); Wednesday, Oct 5, 8:45pm (BWA)

“Mimosas” (Oliver Laxe, Spain/Morocco/France/Qatar, 2016, 93 min, U.S. Premiere):  An intense young man (the haunting Shakib Ben Omar) is tasked with escorting a caravan to safety. Taking a taxi far into the Moroccan desert, he seems to travel to another time as well, joining a band of travelers on horseback—and the dead body they are transporting—on a trek through the treacherous Atlas Mountains. Oliver Laxe’s stunningly shot, suggestively ambiguous follow-up to his acclaimed debut, “You All Are Captains,” is at once a quest story, a landscape study, and a Western with shades of the uncanny. With the openness of a parable, Mimosas doesn’t dramatize so much as embody the mysteries of faith. Winner of the Grand Prize at the 2016 Cannes’ Critics Week. Showtimes: Wednesday, Oct 5, 9pm (WRT); Thursday, Oct 6, 6:45pm (FBT)

“The Ornithologist” (João Pedro Rodrigues, Portugal/France/Brazil, 2016, 118 min, U.S. Premiere): In his most audacious film since his groundbreaking debut “O Fantasma,” João Pedro Rodrigues reimagines the myth of Saint Anthony of Padua as a modern-day parable of sexual and spiritual transcendence. On a bird-watching expedition in the remote wilderness of northern Portugal, Fernando (Paul Hamy) capsizes his canoe and loses his bearings. His ensuing odyssey, both intensely physical and wildly metaphysical, involves sadistic Chinese pilgrims, a deaf-mute shepherd named Jesus, pagan tribes, Amazons on horseback, and a glorious variety of feathered friends. Shot entirely outdoors and in magnificent ’Scope by Rui Pocas, The Ornithologist is a bracing exercise in queer hagiography, a cheerfully blasphemous tale of a religious awakening. Showtimes: Wednesday, Oct 12, 9pm (WRT); Thursday, Oct 13, 9:15pm (BWA)

Shorts

Shorts Program 1: Narrative: Showcasing emerging filmmakers, this narrative program features seven unique films from seven countries in six different languages. Programmed by Dilcia Barrera & Gabi Madsen. Total Running Time: 103m.  Showtimes: Saturday, Oct 1, 4pm (BWA); Sunday, Oct 2, 6pm (BWA)

“The Girl Who Danced with the Devil” (João Paulo Miranda Maria, Brazil, 2016, 15 min): A girl from a very religious family seeks her own paradise.

“Be Good for Rachel” (Ed Roe, USA, 2015, 19 min, World Premiere): Tonight Rachel is double-booked: a babysitting job and a nervous breakdown.

“Univitellin” (Terence Nance, France, 2016, 15 min): A classic love story in a far-from- classic reworking.

“Little Bullets” (Alphan Eseli, Turkey, 2016, 14 min, World Premiere): Forced to flee Syria for the border region of Southeast Anatolia, a mother and daughter struggle to accept their newly found safety.

“Dobro” (Marta Hernaiz Pidal, Bosnia and Herzegovina/Mexico, 2016, 15 min, U.S. Premiere): Selma is determined to get rid of the Romani woman sitting on her apartment’s entrance steps.

“Land of the Lost Sidekicks” (Roger Ross Williams, USA, 2016, 6 min, World Premiere): When his home is magically transformed into a dark forest filled with animated characters from classic Disney movies, a young boy learns to confront his fears.

And the Whole Sky Fit in a Dead Cow’s Eye” (Francisca Alegria, Chile/USA, 2016, 19 min, World Premiere): Emeteria is visited by a ghost she believes has come to take her to the afterlife. But he has more devastating news.

Shorts Program 2: International Auteurs: This program features new work by four of the most adventurous directors in international cinema today. Programmed by Dennis Lim. Total Running Time: 96 min. Showtimes: Saturday, Oct 1, 6:45pm (BWA); Sunday, Oct 2, 8:45pm (BWA)

“A Brief History of Princess X” (Gabriel Abrantes, Portugal/France, 2016, 7 mins, U.S. Premiere): Abrantes’s pseudo-doc on Constantin Brancusi’s most infamous sculpture is a short, sweet, and appropriately inappropriate look at how eroticism and scandal played roles in the history of modern art.

“Sarah Winchester, Phantom Opera” (Bertrand Bonello, France, 2016, 24 min, North American Premiere): A film to stand in for an opera unmade: Bonello’s moody, baroque meditation on the heiress to the Winchester rifle fortune plays like a ballet-cum- horror film, an ornate tapestry of enigmatic images, chilling synths, and traces of a tragic and eccentric life.

“The Hedonists” (Jia Zhangke, China, 2016, 25 min, U.S. Premiere):  Jia takes on an eclectic tone and tries out some bold new tricks in this comic short commissioned by the Hong Kong International Film Festival, following three unemployed coal miners searching for work in the Shanxi region.

“From the Diary of a Wedding Photographer” (Nadav Lapid, Israel, 2016, 40 min, North American Premiere): Lapid’s latest provocation delves headlong into the absurdities and neuroses of matrimonial rites as an Israeli wedding photographer repeatedly finds himself embroiled in psychodramas with the brides and grooms who hire him.

Shorts Program 3: Genre Stories: This is the second annual edition of a program focusing on the best in new horror, thriller, sci-fi, pitch-black comedy, twisted noir, and fantasy shorts from around the world. Programmed by Laura Kern. Total Running Time: 83 min. Showtimes: Saturday, Oct 1, 9:15pm (BWA); Monday, Oct 3, 9:30pm (BWA)

“The Signalman” (Daniel Augusto, Brazil, 2015, 15 min, U.S. Premiere): In a story adapted from Dickens, a reclusive railway worker’s routine is mysteriously disrupted.

“Can’t Take My Eyes Off You” (Johannes Kizler & Nik Sentenza, Germany, 2016, 11 min, North American Premiere): A single mother and her teenage daughter must contend with something far more fraught than their relationship.

“New Gods” (Jack Burke, UK, 2016, 15 min, World Premiere): Sickness challenges the resiliency of a utopian existence.

“Quenottes (Pearlies)” (Pascal Thiebaux & Gil Pinheiro, Luxembourg/France, 2015, 13 min): Small, furry, and ferocious, the tooth fairy will defend its enamel treasures at any cost.

“What Happened to Her” (Kristy Guevara-Flanagan, USA, 2016, 15 min):  A biting, beautifully gruesome exploration of female corpses, as portrayed nude on screen.

“Imposter” (Adam Goldhammer, Canada, 2016, 14 min, World Premiere): Since Father’s disappearance, Mother hasn’t quite seemed herself…

Shorts Program 4: New York Stories: This program, now in its second year, showcases work from some of the most exciting filmmakers living and working in New York today, including established names and ones to watch. Programmed by Dan Sullivan. Total Running Time: 71 min. Showtimes: Sunday, Oct 2, 3:30pm (WRT); Tuesday, Oct 4, 6:15pm (BWA)

“Kitty” (Chloë Sevigny, USA, 2016, 35mm, 15 min, North American Premiere): Sevigny’s highly anticipated directorial debut is an adaptation of a Paul Bowles short story, a hypnotic and ethereal fairy tale for today about a young girl’s feline reveries.

“I Turn to Jello” (Andrew T. Betzer, USA, 2016, 15 min, World Premiere): A metropolitan nightmare unfurls as a nervous cellist (Eleanore Pienta) cracks under pressure at an audition—and again, and again, and…

“Dramatic Relationships” (Dustin Guy Defa, USA, 2016, 6 min, North American Premiere): Scenes from the working life of a male director: Defa sophisticatedly lampoons masculinity in filmmaking with this sly, surprising meta-movie.

“This Castle Keep” (Gina Telaroli, USA, 2016, 14 min, World Premiere): The shapeshifting latest from the multi-hyphenate Telaroli is a moving elegy for that which gets lost over the years in a changing city.

“Los Angeles Plays New York” (John Wilson, USA, 2016, 18 min, World Premiere): This hilarious documentary concerns the world of NYC-set courtroom reality shows filmed in L.A.

“The Honeymoon” (Tommy Davis, USA, 2016, 3 min, World Premiere): A campy and cryptic love letter that features a new, quintessentially American take on Morse code.

Shorts Program 5: Documentaries: For its first documentary shorts program, NYFF showcases a selection of the most innovative nonfiction storytelling today, from profound personal chronicles to treatments of significant global issues. Programmed by Dilcia Barrera & Gabi Madsen. Total Running Time: 89 min. Showtimes: Monday, Oct 3, 6:30pm (BWA); Tuesday, Oct 4, 9:15pm (BWA)

“Legal Smuggling with Christine Choy” (Lewie Kloster, USA, 2016, 4 min, World Premiere): Academy Award–nominated filmmaker Christine Choy undergoes a wild adventure when she illegally—and accidentally—smuggles cigarettes across the Canadian border.

“El Buzo” (Esteban Arrangoiz, Mexico, 2015, 16 min): Chief diver of the Mexico City sewerage system, Julio César Cu Cámara must repair pumps and dislodge garbage from the gutters to maintain the circulation of sewer waters.

“Jean Nouvel: Reflections” (Matt Tyrnauer, USA, 2016, 15 min, World Premiere): A meditative portrait of Pritzker Prize–winning architect Jean Nouvel and his creation process.

“Rotatio” (Ian McClerin, USA, 2015, 4 min): As part of a healing process from trauma, Shannon May Mackenzie turned words into visual art, constructing a six-foot circle out of sentences and phrases.

“The Vote” (Mila Aung-Thwin & Van Royko, Canada, 2016, 10 min, World Premiere): Strict military rule and international sanctions kept Myanmar sealed off from the world for decades. The Vote observes residents of the bustling city of Yangon as they navigate their first democratic election in over 50 years.

“Brillo Box (3¢ off)” (Lisanne Skyler, USA, 2016, 40 min): Andy Warhol’s Brillo Box sculpture makes its way from a family’s living room to a record- breaking Christie’s auction in this exploration of how we navigate the ephemeral nature of value. An HBO Documentary Films release.

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