Ruben (Nicolas Maury) is a French Jewish gay man (think Pee Wee Herman meets David Sedaris) living in a candy-colored world in Finland with his lover Teemu (Jarkko Niemi), where Ruben works as a postman. One fateful day three days before Passover, Ruben tries to deliver an envelope of euros to a widower, who refuses to accept it, and collapses on his lawn. Teemu and Ruben fight over what to do with the cash and Ruben heads to Paris to think, and to celebrate Passover with his mother (played by Carmen Maura). Back home, Teemu is trying to get to the bottom of things–or should we say the top?– while Ruben discovers in Paris that a certain someone has missed Ruben more than he knew. Jean-Luc Bideau, Didier Flamand, and Jean-Christophe Bouvet appear; Bouvet as the Commissaire has to mediate a poignant love call from jail.
As potbellied, satin robe-clad Marv opens The Forbidden Room, he instructs us on the history and significance of bathing. One might never guess what’s in store from Canadian auteur’s Guy Maddin’s ode to the lost movies of the silent era, honoring classic cinema while electrocuting it with energy. Bursting with playful cacophony, Maddin’s opus takes us high into the air, under the sea, around the world, and into dreamscapes, spinning tales of amnesia, captivity, deception, and murder. [Synopsis courtesy of Sundance Film Festival]
Secrets, rumors and betrayals surround the upcoming marriage between a young dissolute man and virtuous woman of the French aristocracy.
With the age of feudalism in decline, Europe rests at a tense crossroads between the old world and the new. Respected, well-to-do horse merchant Michael Kohlhaas is a loving husband and family man leading a peaceful existence, until a ruthless nobleman steals his horses, setting off a chain of irreversible events. Kohlhaas resorts to extremes after these crimes destroy his livelihood and trust in the law, igniting a rampage through the countryside in his quest for justice.