Does Blue Valentine or Another Year or Biutiful still have a shot? Will Winter's Bone or The Town make it onto the Oscar Ten? In Contention's @KrisTapley and @GuyLodge and I read the Oscar tea leaves in the wake of the critics votes, Golden Globes, and SAG nominations. We explain why critics' fave T...
Read More »The Screen Actors Guild nominations--which actually do have some impact on the Oscar race, given that Academy actors are so dominant in the voting--were announced Thursday morning. The SAG equivalent of best picture is the ensemble award; the five nominees could well be considered the top five cont...
Read More »Here are Sophia Savage's Ten Stand-Out Performances, Five Best Ensemble Performances, and Best Symbiotic Performance of 2010 (in aphabetical order).
Read More »TOH's Sophia Savage sat down with The Social Network's scene stealer Armie Hammer on Tuesday afternoon:
Read More »The Social Network star Jesse Eisenberg and I met for a bite at Hollywood's fabled Musso & Frank's Grill to dig into his lauded role as Facebook founder Mark Zuckerberg. The youthful New Yorker has been juggling school, theater, TV and film since he was a kid; at 27 he's got quite a few juicy film r...
Read More »Does a film's box office performance have an impact on its Oscar hopes? TOH box office analyst Anthony D'Alessandro crunches the numbers and evaluates the current field of Oscar contenders.
Read More »In this week's Oscar Talk, for those of you who haven't listened to the podcast, Anne Thompson and Kris Tapley discuss films that may deserve Oscar consideration for performances, but likely won't get any. Welcome To The Rileys, for example, would in another world get attention for James Gandolfini,...
Read More »Kris Tapley of In Contention and I talk about some low-profile films that may not make it into the race--including Solitary Man, Welcome to the Rileys--and whether Michael Douglas has a chance. We rate the three strong Andrew Garfield performances of the year: Red Riding Trilogy, Never Let Me Go, Th...
Read More »I came to this film knowing nothing about it, except that it was based on the highly-acclaimed novel by Kazuo Ishiguru. I had no foreknowledge of its story or premise—and I’m glad.
Read More »