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Andrew Stanton

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    Review: 'Finding Nemo 3D' Is A Freshly Dimensionalized Take On A Certifiable Pixar Classic

    Last fall's surprise smash rerelease of Disney's "The Lion King," a gimmicky two-week promotional stunt designed sell the movie's Blu-ray release that turned into an extended, nearly $100-million-grossing juggernaut, opened the floodgates for 3D animated rereleases. There are two planned for the bac...

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    So Long Barsoom: Andrew Stanton To Direct 'Finding Nemo 2'

    Let's see how the small market of fans eager for a "John Carter" sequel are going to take this. Following a tumultuous production, a botched marketing campaign in what turned out to be one of the biggest flops of the year, costing Disney $200 million, we figured it would be interesting...

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    Taylor Kitsch Talks Reshoots On 'John Carter'; Andrew Stanton Discusses Live Action Vs. Animated Filmmaking & More

    There are many intriguing elements to this week’s release of “John Carter” beyond the discussed-to-death $250 million dollar (or so) budget. For one, it’s the live action directorial debut of Andrew Stanton, esteemed member of Pixar responsible for penning the “Toy Stor...

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    Watch Sundance Panel "The Power of Story ..."

    If you missed the Sundance panel “The Power of Story: In the Beginning” – my conversation with four terrific screenwriters who also direct, produce and perform – you can watch the entire lively, witty discussion here.

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    Please Join Me for Live Streaming Sundance Panel, "The Power of Story."

    Have you ever wondered how a writer's artistic vision survives the journey from page to screen? Please join me - in person if you're in Park City or right here through this live video stream - when I moderate a Sundance panel with four terrific writers. "The Power of Story: In the Begin...

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    'John Carter' Had A Lengthy 18 Day Reshoot To Improve & Correct Story Issues

    Movie Will Need To Make At Least $700 Million To Green Light A Sequel"Reshoots should be mandatory," director Andrew Stanton recently told the New Yorker in an extensive profile. He said this while on the set of his first live action movie "John Carter" during an extensive 18 day reshoot this past April. While the term "reshoot" is generally shorthand used to denote a troubled production, for Stanton, who comes from the world of Pixar where films are storyboarded in full, critiqued, broken down and retooled numerous times before animation even begins, it's a luxury that he feels every production should take advantage of. In the case of Pixar,...

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