A young woman newly returned to her hometown becomes the subject of harassment by a man named Blackway, an ex-cop turned violent crime lord who operates with impunity in this small community on the edge of the wilderness. Forsaken by the local townspeople, and advised by the Sheriff to leave town, Lillian decides instead to take a stand against her sociopathic stalker, and enlists the help of ex-logger Lester and his laconic young sidekick Nate…..
Follows a pair of married couples, Alfie (Hopkins) and Helena (Jones), and their daughter Sally (Watts) and husband Roy (Brolin), as their passions, ambitions, and anxieties lead them into trouble and out of their minds. After Alfie leaves Helena to pursue his lost youth and a free-spirited call girl named Charmaine (Punch), Helena abandons rationality and surrenders her life to the loopy advice of a charlatan fortune teller. Unhappy in her marriage, Sally develops a crush on her handsome art gallery owner boss, Greg (Banderas), while Roy, a novelist nervously awaiting the response to his latest manuscript, becomes moonstruck over Dia (Pinto), a mystery woman who catches his gaze through a nearby window.
The story is about a young American academic, Omar Razaghi (Metwally), who attempts to persuade the reluctant heirs of a celebrated Uruguayan novelist, Jules Gund, to allow him to write an authorized biography of the writer, who has recently died. Undeterred by the executors’ adamant refusal, and urged on by his vehemently ambitious girlfriend (Lara), another academic, Razaghi turns up uninvited on the family’s doorstep in a remote corner of Uruguay, hoping to change their minds. Before long, he is joined there by his super-efficient girlfriend, Deirdre.
The Gund family, living in two big rundown houses on an overgrown, steamy estancia named “Ocho Rios,” reacts to the intrusion in different ways. The writer’s widow Caroline Gund (an unusually acerbic Laura Linney) stubbornly states with every breath that she will never, never give her permission. The writer’s brother Adam Gund (Hopkins) has a contrary opinion: a biography can only help to keep the writer’s name before a book-buying public. The writer’s young mistress Arden Langdon (Gainsbourg) at sides with Caroline. Then, as she begins to fall for Omar — or is she succumbing only to the charm of someone, anyone, new? — she changes her mind. Two furtther supporters of Omar are Gund’s ten-year-old daughter Portia, and Pete, Adam’s practical-minded companion (Sanada).
How Omar comes in time to have his wish granted, and the effect of that on his future, makes up the plot of this film about the random nature of love and the ways in which we avoid or confront life’s choices. [Synopsis courtesy of the production company]
Inspired by Arthur Schnitzler’s classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles’ 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.
FBI trainee Clarice Starling ventures into a maximum-security asylum to pick the diseased brain of Hannibal Lecter, a psychiatrist turned homicidal cannibal. Starling needs clues to help her capture a serial killer. Unfortunately, her Faustian relationship with Lecter soon leads to his escape, and now two deranged killers are on the loose.