Les Bonzini tiennent le restaurant ‘la Pataterie’ dans une zone commerciale. Leur fils ainé, Not, est le plus vieux punk à chien d’Europe. Son frère, Jean Pierre, est vendeur dans un magasin de literie. Quand Jean Pierre est licencié, les deux frères se retrouvent. Le Grand Soir c’est l’histoire d’une famille qui décide de faire la révolution … à sa manière… [Synopsis courtesy of CanalPlus]
Serge Pilardosse vient d’avoir 60 ans. Il travaille depuis l’âge de 16 ans, jamais au chômage, jamais malade. Mais l’heure de la retraite a sonné, et c’est la désillusion : il lui manque des points, certains employeurs ayant oublié de le déclarer ! Poussé par Catherine, sa femme, il enfourche sa vieille moto des années 70, une ” Mammut ” qui lui vaut son surnom, et part à la recherche de ses bulletins de salaires. Durant son périple, il retrouve son passé et sa quête de documents administratifs devient bientôt accessoire…
Animated plastic toys like Cowboy, Indian and Horse have problems, too. Cowboy and Indian’s plan to surprise Horse with a homemade birthday gift backfires when they destroy his house instead. Surreal adventures take over as the trio travel to the center of the earth, trek across frozen tundra and discover a parallel underwater universe where pointy-headed (and dishonest!) creatures live. With panic a permanent feature of life in this papier mâché town, will Horse and his girlfriend ever be alone?
A recent surprise hit in France, the delectable comedy “Romantics Anonymous” tells the story of Angélique Delange (Isabelle Carré, “Private Fears in Public Places”), an unemployed but gifted chocolate-maker with a lifelong case of uncontrollable shyness that prevents her from properly sharing her confectionary talents. Jean-René Van Den Hugde (Benoît Poelvoorde, “Coco Before Chanel”) suffers from a similar case of terminal abashment and runs a fledgling chocolate company in desperate need of a new direction. When Jean-René hires Angélique as the new sales associate, the two nervous Nellies must face their deepest fears. With the chocolate business hanging in the balance, they are forced to fess up to their hidden sweet affections for each other.
Co-screenwriters Jean-Pierre Améris and Philippe Blasband have prepared a deliciously witty script filled with rich characters that are packed with honesty and humor. Director Améris teases out the fairy-tale quality of this timid romance while grounding the film’s charm and spirit firmly in its lovable and authentic protagonists and their quest for emotional freedom. Carré and Poelvoorde give nuanced and hilarious performances and radiate on-screen chemistry.
2009 biopic about the early life of Coco Chanel. Several years after leaving the orphanage, to which her father never returned for her, Gabrielle Chanel finds herself working in a provincial bar both. She’s both a seamstress for the performers and a singer, earning the nickname Coco from the song she sings nightly with her sister. A liaison with Baron Balsan gives her an entree into French society and a chance to develop her gift for designing.
“God exists. He lives in Brussels. He is horrible to his wife and daughter. We’ve heard a lot about his son but precious little about his daughter. I’m his daughter. My name is Ea and I’m ten. To get even, I’ve sent everyone in the world an SMS with their date of death….” [Synopsis courtesy of Directors’ Fortnight]
One night in a French provincial city, Marc meets Sylvie. They wander the streets until morning and set a date to meet in Paris a few days later. When Marc doesn’t show up on time a twist of fate leaves him romantically torn between two sisters. [Synopsis courtesy of Toronto International Film Festival]