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Brad Pitt

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    Tracking Brad Pitt, EW Fall Movie Preview, The Wizard of Oz

    There are two schools of thought among online sites. Increase your traffic measurements via page views by creating as many clickable pages as possible. Which means everybody is creating photo galleries with captions and lists that force you to click on every page. It drives me crazy. Good news: AOL ...

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    Who Should Star in Harvey?

    Now that Tom Hanks is no longer in the running for Steven Spielberg's remake of the Universal classic Harvey--because he was understandably leery, I hear, of the inevitable comparisons with James Stewart in the original role--who could pull this off? Hanks is probably too close to Stewart on some le...

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    Inglourious Basterds Premiere: Jolie & Pitt

    Given that I'd already seen Quentin Tarantino's Inglourious Basterds twice, I blew off the L.A. premiere in favor of a family birthday dinner at El Cholo (Nora and Jake made red velvet cupcakes with white frosting). Luckily, there was plenty of other coverage. UPDATE: Here's Marc Malkin. And yes, An...

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    Inglourious Basterds: Recut, Nine Clips

    Quentin Tarantino's recut of Inglourious Basterds is one minute longer than the Cannes version, and much improved. It's a gorgeous movie with a great eclectic soundtrack crammed with everything from Ennio Morricone to a brilliant use of David Bowie's "Putting Out the Fire." (Trivia question: what mo...

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    Risky Business: Comic-Con Comes of Age

    Post-Twilight, Comic-Con comes of age. And yet, it can be risky to chase after that fan buzz. Memorable duds in Hall H include The Spirit and Zathura. When a movie isn't working, the fans sniff it out. But when it does--300 and Superman Returns are vivid examples--they turn up to see the movie in dr...

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    Pitt Chased Wired Cover

    Brad Pitt graces the cover of Wired Magazine's August issue, which just arrived in my morning mail. (The mag hits newstands July 21, and will post on Wired.com Thursday night after E.T.'s broadcast break.) He's frowning at wearing a bluetooth headset, and the coverline reads "With advice from Inglou...

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    Soderbergh and Mann: Too Smart for the Room?

    As much as I want to see the Steven Soderbergh/Brad Pitt version of Moneyball, reality needs to return to the movie business. Soderbergh himself occupies a strange nexus within Hollywood. He once told me that he didn't want to direct movies out of the back seat of a limousine. And he is willing to play studio ball or indie ball, as he sees fit. At the same time, like all gifted directors, he wants to push himself, and the art form. But he often loses interest in what movie audiences might want. (UPDATE: On Soderbergh's upcoming Warners' agro-business comedy The Informant!, starring Matt Damon, which is set to debut at September's Toronto Film...

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    Transformers: ROTF Premiere, LaBeouf's Wild Life

    >Here's what I learned on my rounds at the Transformers: ROTF premiere Monday night:

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    Moneyball Update

    It was a bad week for Steven Soderbergh and his $57-million screen version of Michael Lewis's baseball book Moneyball, which Sony shut down as of Friday--with a Monday start-of-production date. (How odd that "producer" Michael DeLuca was on his honeymoon last week and still has not returned. Soderbergh's producer Greg Jacobs was in charge, clearly.) The problem with the Sony spin over the weekend is that it doesn't make sense for Sony chief Amy Pascal to be suddenly discovering that she didn't like a script that had been in circulation--and active pre-production for weeks. Soderbergh was open about his documentary-like approach, and had obtai...

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    Studios Get Tough; Sony Puts Moneyball in Play

    In the overall scheme of things, a $57-million budget is pocket change to a studio, especially a big-spender like Sony. So why would Sony chairman Amy Pascal risk alienating a star like Brad Pitt and a director like Steven Soderbergh by pulling the plug on baseball movie Moneyball hours before it was to start shooting? She's sending a message to Hollywood, loud and clear. She's asserting her power to just say no. Finally, in this economy, the studios are spending less on fewer available slots. That's also what Brad Grey is signalling at Paramount by ditching production execs John Lesher and Brad Weston: he's saying, "There's no room for error...

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