Tango is an undercover officer on a narcotics detail that forces him to choose between duty and friendship. Having been to hell and back, he wants out, but the powers that be won’t let him quit. Family-man Sal is a detective tempted by greed and corruption. He can barely make ends meet, and now his wife has an illness that threatens the life of their unborn twins. Eddie is nearing retirement age and has long since lost his dedication to his job as a cop. He wakes up every morning trying to come up with a reason to go on living…and he can’t think of one. Fate brings the three men to the same Brooklyn housing project as each takes the law into his own hands. [Synopsis courtesy of Sundance Film Festival]
1952. Bill Rohan is 18 and wanders, dreamy and happy, along the riverside where his family have a house. His daydreaming is rudely interrupted by the Korean war, the draft, and the harsh reality of the military camp where he trains. There, he meets Percy, who becomes his firm friend.
After their induction, numerous conscripts are sent to Korea. Bill and Percy are lucky enough to find themselves as instructors in a training camp. They plot against an unbearable sergeant. They also make some excursions into the outside world. During one of them, Bill falls in love with a girl who is unattainable. [Synopsis courtesy of Director’s Fortnight]
In 1921 Jimmy Gralton’s sin was to build a dance hall on a rural crossroads in an Ireland on the brink of Civil War. The Pearse-Connolly Hall was a place where young people could come to learn, to argue, to dream… but above all to dance and have fun. As the hall grew in popularity its socialist and free-spirited reputation brought it to the attention of the church and politicians who forced Jimmy to flee and the hall to close.
A decade later, at the height of the Depression, Jimmy returns to Co. Leitrim from the US to look after his mother and vows to live the quiet life. The hall stands abandoned and empty, and despite the pleas of the local youngsters, remains shut. However as Jimmy reintegrates into the community and sees the poverty, and growing cultural oppression, the leader and activist within him is stirred. He makes the decision to reopen the hall in the face of what they may bring… [Synopsis courtesy of LA Film Festival]
The film is a lyrical exploration of a particular family situation and the human relationships within it. Devoid of any moral judgment, the eye of the director studies the boundaries of human behaviour and explores how far an individual can go, driven by love and the spirit of survival. Andrea Pallaoro was born in Trento but at the age of 17 moved to California to study filmmaking. His short film Wunderkammer was presented at the Sundance Film Festival. This year he brings his first feature-length film to the Orizzonti section.