Scott Pilgrim is a film adaptation of the critically acclaimed, award-winning series of graphic novels of the same name by Canadian cartoonist Bryan Lee O’Malley. Scott Pilgrim is a 23 year old Canadian slacker and wannabe rockstar who falls in love with an American delivery girl, Ramona V. Flowers, and must defeat her seven “evil exes” to be able to date her.
In high school, Schmidt was a dork and Jenko was the popular jock. After graduation, both of them joined the police force and ended up as partners riding bicycles in the city park. Since they are young and look like high school students, they are assigned to an undercover unit to infiltrate a drug ring that is supplying high school students synthetic drugs.
A genre-bending, 1990s Los Angeles police family drama, Rampart explores the dark soul and romantic misadventures of a never-changing LAPD cop (Woody Harrelson) whose past is finally catching up with him in the wake of a department-wide corruption scandal. Along the way, he is forced to confront his disgruntled daughters (Brie Larson, Sammy Boyarsky), his two ex-wives (Anne Heche, Cynthia Nixon), a tenacious Deputy DA (Sigourney Weaver), an investigator on his trail (Ice Cube), a homeless witness to his crimes (Ben Foster), his aging mentor (Ned Beatty) and a mysterious new lover who may or may not be on his side (Robin Wright), as he fights for his own sanity and survival. [Synopsis courtesy of TIFF]
Sutter Keely lives in the now. It’s a good place for him. A high school senior, charming and self-possessed, he’s the life of the party, loves his job at a men’s clothing store, and has no plans for the future. A budding alcoholic, he’s never far from his supersized, whisky-fortified 7UP cup. But after being dumped by his girlfriend, Sutter gets drunk and wakes up on a lawn with Aimee Finicky hovering over him. Not a member of the cool crowd, she’s different: the “nice girl” who reads science fiction and doesn’t have a boyfriend. She does have dreams, while Sutter lives in a world of impressive self-delusion. And yet they’re drawn to each other.
35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.
Wiener-Dog tells several stories featuring people who find their life inspired or changed by one particular dachshund, who seems to be spreading a certain kind of comfort and joy. Man’s best friend starts out teaching a young boy some contorted life lessons before being taken in by a compassionate vet tech named Dawn Wiener. Dawn reunites with someone from her past and sets off on a road trip picking up some depressed mariachis along the way. Wiener-Dog then encounters a floundering film professor, as well as an embittered elderly woman and her needy granddaughter—all longing for something more. [Synopsis courtesy of Sundance Film Festival]
Since she was a little girl, it’s been drilled into Amy’s head by her rascal of a dad that monogamy isn’t realistic. Now a magazine writer, Amy lives by that credo—enjoying what she feels is an uninhibited life free from stifling, boring romantic commitment—but in actuality, she’s kind of in a rut. When she finds herself starting to fall for the subject of the new article she’s writing, a charming and successful sports doctor named Aaron Conners, Amy starts to wonder if other grown-ups, including this guy who really seems to like her, might be on to something.
Young married couple Tim and Lee have planted the seeds of a family in their East LA duplex. Three years after the birth of their son, they’re still adjusting to the joy and pain of life with kid, navigating potty talk at the dinner table, disagreeing over preschools, and putting off doing their taxes. For a change of pace, they decide to housesit for one of Lee’s Westside yoga clients. Once there, Tim discovers something suspicious in the yard that gets the wheels in his head turning, and Lee, worried that he will become obsessed with digging deeper, decides to drop their toddler off with her mother for a much-needed night out on the town. Sans-wife, Tim invites his buddies over, and a “boys-will-be-boys” scenario ensues, full of drinking, awkward joint-passing, and perhaps getting a bit too close to a girl who isn’t the mother of his child. [Synopsis courtesy of Sundance Film Festival]