Kyle (Nicholas Cage) and Sarah Miller (Nicole Kidman) have it all: a huge gated house on the water, fancy cars, and the potential for romance in their relationship. He’s just back from a business trip (he brokers diamonds) and their teen daughter Avery (Liana Liberato) is sneaking out to a party, when four thugs in security uniforms and ski masks stage a home invasion. They want what’s in the safe: cash and diamonds. As Kyle stalls them, trying to negotiate for Sarah’s freedom, the fault lines in Kyle and Sarah’s marriage and the pasts of the four robbers come into play. Is there room here for heroism?
After a little white lie about losing her virginity gets out, a clean cut high school girl sees her life paralleling Hester Prynne’s in “The Scarlet Letter,” which she is currently studying in school – until she decides to use the rumor mill to advance her social and financial standing. [Synopsis courtesy IMDb]
Drew (Kelly Blatz) is about to graduate from school, but the dire economic straits of his broken family have set a fence around his horizons. Drew seems destined to remain stuck in his rough neighborhood, following his older brother’s downward spiral into drugs and violence. But he does have one advantage on his side: a runner’s body, however untrained and in need of discipline. His efforts at track and field glory catch the eye of neighbor Coleman (Richard Jenkins), a former coach who’s bitter over past regrets. Admiration for Drew’s potential softens Coleman’s hardened reserve, and he offers the young man guidance on achieving his dreams on and off the track. [Synopsis courtesy of Seattle International Film Festival]
In BAD JOHNSON, women are practically throwing themselves at Rich (Cam Gigandet/ “Twilight,” “Easy A”) and he can’t seem to control himself. But he continually blames his penis, which seems to have a mind of its own. After ruining yet another promising relationship with Jamie (Jamie Chung/ “The Hangover II & III”), Rich has finally had enough and wishes his penis would just leave him alone. The next morning, Rich wakes up to find his wish has come true and his johnson is no longer on his body. Even worse, Rich is shocked to discover that his penis has taken human form (Nick Thune). Selfish, oversexed and irresponsible, his penis is now on the loose with no desire to return. Pitted against his alter ego, Rich must figure out how to reign in his penis, both literally and figuratively, in order to finally learn what separates the men from their boys.
After losing her band mate and brother to a drug overdose, rising rock star Hayley finds herself in a downward spiral. The second album from her band Plush is received as a critical and commercial disaster. She finds new hope and friendship in Enzo, the replacement guitarist who inspires her to reach new creative heights. But soon their collaboration crosses the line and Hayley, who is married with two children, retreats from Enzo’s advances. As Hayley slowly discovers Enzo’s dark and troubled history, she realizes she may have let a madman into her home and that her mistake may cost the lives of people closest to her.