After months of build-up, moviegoers finally got a look at "Drive," the much-acclaimed crime thriller by Nicolas Winding Refn, this weekend. With a C- Cinemascore (whatever that's worth), it's clearly a divisive picture, but there's been enough passion spent on the film, here and elsewhere, to suggest that plenty of discerning cinephiles have fallen for it in the way that several Playlist staffers have in recent weeks. And if you were one of them, Refn might have been a new face for you; the director has been active for fifteen years now, but only really started to come to attention of U.S. film fans in the last few years (or arguably, months...
Read More »Drive arrives with its credentials of cool all set: a hot star (Ryan Gosling) in the lead, a smart supporting cast, a Best Director prize from the Cannes Film Festival, and a stylish retro-noir look. These assets may hoodwink some audiences who don’t stop—or want to stop—...
Read More »'Drive' Director Also Talks Action Flick 'Only God Forgives,' An Abandoned Heist Pic & An Albert Brooks-Penned ComedyIf you've read any kind of movie blog in the last six months you're likely to see that almost everyone is enamored with Nicolas Winding Refn's beautiful, thrilling crime picture "Drive," which will undoubtedly nestle near the top of many year-end lists (including ours), when the time comes. It might feel like you've been hearing about the film for years now, seeing as the reviews have been piling in since it bowed at Cannes way back in May, but the film finally hits theaters on Friday, and you'll be able to check out all the fu...
Read More »That was fast, although not unexpected. After excellent reviews out of Venice and Telluride (see our Lido review here), Fox Seachlight has picked up the North American domestic rights to "Shame," the follow-up, sophomore directorial effort by British artist-turned-director Steve McQueen.
Read More »One of the fall festival season's most anticipated pictures, at least in our eyes, is British artist-turned-filmmaker Steve McQueen's New York-set portrait of sexual addiction in "Shame" starring Michael Fassbender and Carey Mulligan.
Read More »As English-language directorial debuts in the last few years go, Steve McQueen's "Hunger" ranks up there as one of the most uncompromising. An award-winning, sometimes controversial British artist, McQueen chose to move into feature film by examining the life of IRA hunger striker Bobby Sands, managing not to flinch from any of the grim details, using takes of up to 20 minutes in length, and showcasing a tour-de-force performance from the now firmly-planted-on-the-A-list Michael Fassbender. It picked up an enormous amount of critical support, including the Camera D'Or at Cannes in 2008, and signified both director and star as major talents to...
Read More »If you need an indication that the colorful A-list cast of Nicolas Winding Refn's hotly-tipped genre noir "Drive" got on with the Danish filmmaker like a house on fire, look no further than Refn's next few projects for proof. Shooting next, the Bangkok-set neo-Western "Only God Forgives" will also s...
Read More »Considering the fact that Carey Mulligan has for ages been attached to the long-gestating, going-nowhere adaptation of "My Fair Lady" alongside Colin Firth, we all knew there was at least some spark of musical talent in the actress. It now looks like we won't have to wait too long some to see eviden...
Read More »'Drive' Director Also Says Another Carey Mulligan Collaboration In The WorksIs Nicolas Winding Refn and Ryan Gosling's upcoming modern adaptation of classic sci-fi "Logan's Run" set to be delayed by a teaming between the latter and renowned auteur Terrence Malick? Apparently so, according to Film S...
Read More »Good god, it's been a bad year at the cinema. It's not so much that there've been a lot of awful films, although of course there have. It's more that there have been a lot of deeply average ones, and very little greatness to share around. Even the better end of the scale, it's not quite scratched the right itch for us: as good as, say, "Beginners" or "Win Win" or "Midnight in Paris" are, they don't quite get the synapses firing in the way that truly great cinema does. It's the kind of thing that the crime flick has always done well -- there's a reason that the Cahiers du Cinema crowd worshiped early American genre pictures, for example, but t...
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