Wrecked

A man awakens in a car wreck at the bottom of a steep cliff. He can’t remember who he is or how he got there, but a report over the radio fills in some of the blanks, as it describes a violent bank robbery and names a perpetrator who happens to be sitting dead in the back seat.

The Forbidden Room

As potbellied, satin robe-clad Marv opens The Forbidden Room, he instructs us on the history and significance of bathing. One might never guess what’s in store from Canadian auteur’s Guy Maddin’s ode to the lost movies of the silent era, honoring classic cinema while electrocuting it with energy. Bursting with playful cacophony, Maddin’s opus takes us high into the air, under the sea, around the world, and into dreamscapes, spinning tales of amnesia, captivity, deception, and murder. [Synopsis courtesy of Sundance Film Festival]

Goodbye World

James and Lily live off the grid, raising their young daughter in a cocoon of comfort and sustainability. When a mysterious mass text ripples its way across the country, triggering a crippling, apocalyptic cyber attack, their home transitions from sheltered modern oasis to a fortress for the estranged old friends that show up at their door for protection and community. The unexpected reunion–abundant with revelry and remembrances, generously enhanced by organic wine and weed–is quickly undermined by the slights of the past, the spark of lingering flirtations and the threat of a locally grown new world order. [Synopsis courtesy of LA Film Festival]