A scientist with the ability to enter the subconscious minds of the possessed must save a young boy from the grips of a demon with powers never seen before, while facing the horrors of his past.

Magic Magic

In remote Chile, a vacationing young woman begins to mentally unravel; meanwhile, her friends ignore her claim until it’s too late.


In one corner, there’s Sara (Moreno), a young, single mother of two who suddenly finds herself embroiled in a custody battle when her son’s teacher calls the Administration for Children’s Services regarding a cut above his eye. Then there’s Martha Schulman (Davis), a beleaguered family court judge struggling through a 23-year marriage to Jason (Tony Shalhoub), and finding that it might not be possible to compartmentalize work and home. Recent law school graduate Alexandra Fisher (Panettiere) is assigned to Sara’s case, and finds it brings up haunting memories of her own. Hanging over it all is the recent death of a young girl whom the system failed. [Synopsis courtesy of Tribeca Film Festival]

A Most Violent Year

A thriller set in New York City during the winter of 1981, statistically one of the most violent years in the city’s history, and centered on a the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.


In the vein of the brutal heist drama Reservoir Dogs, the modern crime thriller A History of Violence, and the classic western High Plains Drifter, SWELTER is a violent story of greed and retribution.

Che: Part Two

After the Cuban Revolution, Che is at the height of his fame and power. Then he disappears, re-emerging incognito in Bolivia, where he organizes a small group of Cuban comrades and Bolivian recruits to start the great Latin American Revolution. Through this story, we come to understand how Che remains a symbol of idealism and heroism that lives in the hearts of people around the world.

At the Devil’s Door

When ambitious young real estate agent Leigh is asked to sell a house with a checkered past, she crosses paths with a disturbed girl whom she learns is the runaway daughter of the couple selling the property. When Leigh tries to intervene and help her, she becomes entangled with a supernatural force that soon pulls Leigh’s artist sister Vera into its web — and has sinister plans for both of them. [Synopsis courtesy of SXSW]

A Stranger in Paradise

On the verge of making partner, Josh Pratt’s (Colin Egglesfield) life is turned upside down when the SEC investigates the head of his multi-billion dollar hedge fund for insider trading. Forced into a well-timed “vacation” he never asked for Josh finds himself in Bangkok with a price on his head, a morally ambiguous brother who is knee deep into the Thai mafia, and a propensity for getting shot at. Unfortunately for Josh, the only way out is to give up information he doesn’t know he has.


The film is a lyrical exploration of a particular family situation and the human relationships within it. Devoid of any moral judgment, the eye of the director studies the boundaries of human behaviour and explores how far an individual can go, driven by love and the spirit of survival. Andrea Pallaoro was born in Trento but at the age of 17 moved to California to study filmmaking. His short film Wunderkammer was presented at the Sundance Film Festival. This year he brings his first feature-length film to the Orizzonti section.