We always knew they were coming back. Using recovered alien technology, the nations of Earth have collaborated on an immense defense program to protect the planet. But nothing can prepare us for the aliens’ advanced and unprecedented force. Only the ingenuity of a few brave men and women can bring our world back from the brink of extinction.
The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
The story is about a young American academic, Omar Razaghi (Metwally), who attempts to persuade the reluctant heirs of a celebrated Uruguayan novelist, Jules Gund, to allow him to write an authorized biography of the writer, who has recently died. Undeterred by the executors’ adamant refusal, and urged on by his vehemently ambitious girlfriend (Lara), another academic, Razaghi turns up uninvited on the family’s doorstep in a remote corner of Uruguay, hoping to change their minds. Before long, he is joined there by his super-efficient girlfriend, Deirdre.
The Gund family, living in two big rundown houses on an overgrown, steamy estancia named “Ocho Rios,” reacts to the intrusion in different ways. The writer’s widow Caroline Gund (an unusually acerbic Laura Linney) stubbornly states with every breath that she will never, never give her permission. The writer’s brother Adam Gund (Hopkins) has a contrary opinion: a biography can only help to keep the writer’s name before a book-buying public. The writer’s young mistress Arden Langdon (Gainsbourg) at sides with Caroline. Then, as she begins to fall for Omar — or is she succumbing only to the charm of someone, anyone, new? — she changes her mind. Two furtther supporters of Omar are Gund’s ten-year-old daughter Portia, and Pete, Adam’s practical-minded companion (Sanada).
How Omar comes in time to have his wish granted, and the effect of that on his future, makes up the plot of this film about the random nature of love and the ways in which we avoid or confront life’s choices. [Synopsis courtesy of the production company]
Based on the autobiographical tale by Alfred de Musset, the film tells the story of his affair with George Sand (the pseudonym of Baroness Amandine Aurore Lucile Dupin). Doherty takes the lead of Octavian, who narrates the story, while Gainsbourg takes the role of Brigitte, a young widow with whom he also has a dalliance. [Synopsis via ThePlaylist]
Based on the novel “La confession d’un enfant du siècle” by Alfred de Musset.
Justine (Kirsten Dunst) and Michael (Alexander Skarsgård) are celebrating their marriage at a sumptuous party in the home of her sister Claire (Charlotte Gainsbourg), and brother-in-law John (Kiefer Sutherland). Despite Claire’s best efforts, the wedding is a fiasco, with family tensions mounting and relationships fraying. Meanwhile, a planet called Melancholia is heading directly towards Earth…
When Jeff unexpectedly shows up on Ben’s doorstep at 2am. Since their college days, they’ve taken very different paths. Jeff is still the wild man, a serial lover, an artist and eternal vagabond who’s never stopped roaming the world. Ben has settled down with chilled-out and wonderful Anna; they bought a small and comfortable house in the suburbs and started trying to make a baby. But this quiet life is disrupted by the whirlwind that is Jeff, especially when he takes Ben to a wild party, from which they return at dawn, having made a decision that is about to turn all of their lives upside down. [Synopsis courtesy of TIFF]
Veteran French director Agnes Varda’s Le Petit Amour is based on a short story by actress/songstress Jane Birkin. Birkin herself plays the main character, a loving but lonely 40-year-old divorcee. Her life is brightened a bit by the presence of a handsome 15-year-old, played by Mathieu Demy. Their romance forms the basis of this “petit” Varda effort, which is also known as Kung Fu Master (now you’ll have to see it for yourself!). Shortly after the release of Le Petit Amour, Agnes Varda directed a documentary centering upon Jane Birkin, Jane B par Agnes V.
A winter’s evening. A country road. It is snowing, visibility is poor. Out of nowhere, a sledge glides down a hill. Brakes are slammed on, the car comes to a halt. Silence. Tomas, a novelist, is not to blame for this tragic accident, neither is little Christopher who could have kept a closer eye on his brother, nor Kate, the mother of the two, who could have called the children in earlier …
Afterwards, it is as if Tomas has fallen into a deep pit. The relationship with his girlfriend Sara collapses under this burden. He seeks refuge in his writing and tries to establish a family of his own with Ann and her daughter Mina. The film follows Tomas over twelve years in his attempt to give his life meaning again. [Synopsis courtesy of Berlinale]