Following the death of District Attorney Harvey Dent, Batman assumes responsibility for Dent’s crimes to protect the late attorney’s reputation and is subsequently hunted by the Gotham City Police Department. Eight years later, Batman encounters the mysterious Selina Kyle and the villainous Bane, a new terrorist leader who overwhelms Gotham’s finest. The Dark Knight resurfaces to protect a city that has branded him an enemy.
From internationally celebrated director Zhang Yimou (Ju Dou, Raise the Red Lantern, Hero, House Of Flying Daggers) comes a story of love and war – and a band of outcasts who emerge as unlikely heroes from the shadows of a city’s occupation. At once lyrical and visceral, the film enters the apocalyptic world of Nanjing in 1937 only to find a vibrant human story about the invisible people of the city and a series of unexpected relationships that lead to a resonant act of sacrifice.
It begins when the danger in the streets of Nanjing throws together a group of opposites –a flock of shell-shocked school children, a dozen seductive courtesans, and a renegade American (Academy Award winner Christian Bale, The Fighter, The Dark Knight) posing as a priest to save his own skin, or so he thinks – all seeking safety behind a walled cathedral. Trapped by marauding soldiers, over the next few days the prejudices and divides between them will fall away as they unite around a last-ditch plan to protect the children from impending catastrophe. [Synopsis courtesy of official site]
All grown up in post-apocalyptic 2018, John Connor must lead the resistance of humans against the increasingly dominating militaristic robots. But when Marcus Wright appears, his existence confuses the mission as Connor tries to determine whether Wright has come from the future or the past — and whether he’s friend or foe.
Rick is a slave to the Hollywood system. He is addicted to success but simultaneously despairs at the emptiness of his life. He is at home in a world of illusions but seeks real life. Like the tarot card of the title, Rick is easily bored and needs outside stimulation. But the Knight of Cups is also an artist, a romantic and an adventurer.
In Terrence Malick’s seventh film a gliding camera once again accompanies a tormented hero on his search for meaning. Once again a voiceover is laid over images which also seek their own authenticity. And once again Malick seems to put the world out of joint. His symphonic flow of images contrasts cold, functional architecture with the ageless beauty of nature. Rick’s internal monologue coalesces with the voices of the women who cross his path, women who represent different principles in life: while one lives in the real world, the other embodies beauty and sensuality. Which path will Rick choose? In the city of angels and the desert that surrounds it, will he find his own way? [Synopsis courtesy of Berlinale]
A fictional film set in the alluring world of one of the most stunning scandals to rock our nation, American Hustle tells the story of brilliant con man Irving Rosenfeld (Christian Bale), who along with his equally cunning and seductive British partner Sydney Prosser (Amy Adams) is forced to work for a wild FBI agent Richie DiMaso (Bradley Cooper). DiMaso pushes them into a world of Jersey powerbrokers and mafia that’s as dangerous as it is enchanting. Jeremy Renner is Carmine Polito, the passionate, volatile, New Jersey political operator caught between the con-artists and Feds. Irving’s unpredictable wife Rosalyn (Jennifer Lawrence) could be the one to pull the thread that brings the entire world crashing down. Like David O. Russell’s previous films, American Hustle defies genre, hinging on raw emotion, and life and death stakes.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.