When a bank is hit by a brutal heist, all evidence points to the owner (Bruce Willis) and his high-powered clients. But as a group of FBI agents (Christopher Meloni, Dave Bautista and Adrian Grenier) dig deeper into the case — and the deadly heists continue — it becomes clear that a larger conspiracy is […]
Four friends fleeing a viral pandemic soon learn they are more dangerous than any virus.A deadly virus has spread across the globe. Contagion is everywhere, no one is safe and no one can be trusted. Four young attractive people race through the back roads of the American West to the pounding beat of a vacation soundtrack. Their aim is to retreat to secluded utopian beach in the Gulf of Mexico, where they could peacefully wait out the pandemic and survive the apocalyptic disease. Their plans take a grim turn when their car breaks down on an isolated road starting a chain of events that will seal the fate of each of them in an inexorable and horrifying voyage of hell through a western landscape populated by only the hideous dead or the twisted living.
Stanley Hill is a former Black Ops agent who witnessed his wife’s death at the hands of a street gang. When corrupt cops let the prime suspect walk, Stanley takes the law into his own hands. Joined by a former comrade-in-arms, Stanley uncovers a conspiracy that leads to the upper ranks of government, as he heads toward a guns-blazing, take-no-prisoners showdown for justice.
Lonely and artistic, Minnie chronicles her trials through expressive drawings and painfully honest missives confided to a tape recorder. One fateful evening alone with her mother’s boyfriend, Minnie is confronted with her burgeoning sexuality for the first time, and suddenly this precocious teen is in way over her head. [Synopsis courtesy of Sundance Film Festival]
Co-directors Robert Rodriguez and Frank Miller reunite to bring Miller’s visually stunning “Sin City” graphic novels back to the screen in Sin City: A Dame to Kill For. Weaving together two of Miller’s classic stories with new tales, the town’s most hard boiled citizens cross paths with some of its more notorious inhabitants.
Inspired by a true story, Al Klein (Meloni) and his longtime friend, Ash Martini (Norris) own a used car lot. These two know every trick in the book when it comes to selling cars. Martini is a good time charley, who never settled down. Klein, however, still pines for his ex-wife Barbara (Moynahan) who left him years ago for a more successful man. After their son, Freddy (Bostick,) graduates high school, he decides to forego college in favor of selling cars with his old man. Klein is thrilled when Freddy moves in with him—it’s the first time these two have lived under one roof since Freddy was a kid. Barbara, on the other hand, is very far from thrilled. But what’s good for Klein might not be the best thing for Freddy, as Freddy quickly transforms from innocent young man into a seasoned car salesman… leaving Al with a tough decision to make.
In the year 2035, convict James Cole (Bruce Willis) reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth’s population and forced the survivors into underground communities. But when Cole is mistakenly sent to 1990 instead of 1996, he’s arrested and locked up in a mental hospital. There he meets psychiatrist Dr. Kathryn Railly (Madeleine Stowe), and patient Jeffrey Goines (Brad Pitt), the son of a famous virus expert, who may hold the key to the mysterious rogue group, the Army of the 12 Monkeys, thought to be responsible for unleashing the killer disease.
It’s 1988. On the surface, Kat’s home life seems perfect. A normal, college-bound teenager, she listens to Depeche Mode, hangs out with her tragically hip pals, and is critical of her parents. She’s also having her first romance with, literally, the boy next door and is starting to feel comfortable in her own skin—all under the watchful eye of her glamorous, but disturbed, homemaker mother. When her mother mysteriously vanishes, Kat and her father suppress their emotions and try to resume their lives. Years later, Kat’s subconscious is consumed by images of her mother, whose peculiar disappearance she can’t fully comprehend. [Synopsis courtesy of Sundance Film Festival]