A genre-bending, 1990s Los Angeles police family drama, Rampart explores the dark soul and romantic misadventures of a never-changing LAPD cop (Woody Harrelson) whose past is finally catching up with him in the wake of a department-wide corruption scandal. Along the way, he is forced to confront his disgruntled daughters (Brie Larson, Sammy Boyarsky), his two ex-wives (Anne Heche, Cynthia Nixon), a tenacious Deputy DA (Sigourney Weaver), an investigator on his trail (Ice Cube), a homeless witness to his crimes (Ben Foster), his aging mentor (Ned Beatty) and a mysterious new lover who may or may not be on his side (Robin Wright), as he fights for his own sanity and survival. [Synopsis courtesy of TIFF]
O.C. and Stiggs aren’t your average unhappy teenagers. They not only despise their suburban surroundings, they plot against it. They seek revenge against the middle class Schwab family, who embody all they detest: middle class. |
When it comes to romance, Missy’s attitude has always been whatever. After all, her artistic career is flourishing…her spacious New York City loft is fabulous…and her relationship with a married man is totally uncomplicated-what more could a modern girl want? But then Missy meets Brat, who’s sweet, genuine and shares her fondness for 70’s sitcoms. Unfortunately, he’s also dating her pal Spaz. When Missy and Brat unexpectedly fall for each other, will she lose her identity…and her best friend? No matter how far you run, true love always finds you.
Stephen Elliot is a once-successful novelist paralyzed by writer’s block and an escalating Adderall dependency, who becomes obsessed with a high-profile murder case as a way to escape his personal troubles. His interest leads him to meet Lana Edmond, a smart, sexy reporter who gives him unique access to the case. As their relationship takes off, Stephen is suddenly thrust back into the past when his father, a cruel and vindictive man, shows up to challenge the veracity of the memoir Stephen is writing. As Stephen simultaneously delves into the details of the murder case (which turns out to have some unexpected parallels to his own troubled upbringing) and reunites with his estranged father, he is forced to separate truth from lies and fact from fiction–ultimately leading him to finally reconcile his past and confront his future.
James White is a troubled twenty-something trying to stay afloat in a frenzied New York City. He retreats further into a self-destructive, hedonistic lifestyle, but as his mother battles a serious illness James is forced to take control of his life. As the pressure on him mounts, James must find new reserves of strength or risk imploding completely.
A young woman is reunited with her parents, Marcy and Glen, after being abducted 17 years earlier. Raised in a suburban basement and renamed Leia by her kidnapper, Ben, she was told the outside world had come to an end, and now she must completely reconceive her perception of it. The bright 22-year-old is also forced to reconcile her new life with parents who are virtual strangers and her past life of captivity with Ben, on whom she was completely dependent. As Leia’s growing alienation leads to her longing for Ben, Marcy slowly implodes in her attempts to reclaim her child, and the notion of what it is to be free is called into question. [Synopsis courtesy of Sundance Film Festival]
Based on Jill Ciment’s novel, Heroic Measures, Ruth & Alex is set over a weekend where a couple (Morgan Freeman and Diane Keaton) must decide whether or not to sell their Brooklyn walk up of 40 years. The story takes a comedic turn when the dynamic couple have to contend with eccentric open house guests, their pushy realtor niece, and the health of their beloved family dog — all while navigating a New York on edge from what turns out to be an media-generated terror threat.
Baby Bink couldn’t ask for more; he has adoring (if somewhat sickly-sweet) parents, he lives in a huge mansion, and he’s just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink’s parents; especially the three enterprising kidnapers who pretend to be photographers from the newspaper. Successfully kidnaping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.