Set in the distinctive world of storefront churches, and based on actual events, Free in Deed depicts one man’s attempts to perform a miracle. When a single mother brings her young boy to church for healing, this lonely pentecostal minister is forced to confront the seemingly incurable illness of the child… and his own demons as well. The more he prays, the more things seem to spiral out of his control. [Synopsis courtesy of Venice Film Festival]
During a handover to the head of counter-terrorism of MI5 Harry Pearce, terrorist Adam Qasim escapes from MI5 custody. When Harry disappears soon after, his protégé Will Crombie is tasked with finding out what happened as an impending attack on London looms. Crombie eventually uncovers a conspiracy that runs from Vietnam to the Mediterranean.
Of all Shakespeare’s plays, A Midsummer Night’s Dream is the most phantasmagorical, with fairies, spells, and hallucinatory lovers. His flights of fancy are well matched to the talents of Julie Taymor, who turns out a production that’s visually breathtaking, funny, sexy, and darkly poetic. This immersive, inventive cinematic experience took place during Taymor’s highly acclaimed inaugural stage production of A Midsummer Night’s Dream at the new Polonsky Center in Brooklyn, New York in 2013. Characteristic of Taymor, the feats of visual imagination are ingenious and plentiful, but beating at the centre of the film is an emotionally moving take on the deeper human aspects of this beloved tale. Having gone from experimental theatre to rejuvenating the Broadway musical with The Lion King, Taymor repeatedly takes risks on films, from Frida and Across the Universe to Titus and The Tempest. In A Midsummer Night’s Dream, she displays her creative powers in their peak form. [Synopsis courtesy of Toronto International Film Festival]