The terms "British cinema" and "action movie" tend not to go together particularly well. Maybe it's the smaller budgets at play, maybe it's an awareness that our American and Asian cousins do it better, maybe it's cultural -- most British cops don't carry weapons, for example. It's not that it hasn'...
Read More »Looking for the next candidate to fit into that British-indie-director-who-goes-A-list-Hollywood category? Someone to follow in the footsteps of Christopher Nolan, Rupert Wyatt, and "The Disappearance Of Alice Creed" director J. Blakeson? A strong contender is emerging in the shape of Eran...
Read More »This time last year, at the midpoint of season two, "The Walking Dead" was just putting to rest the fruitless search for missing 12-year-old Sophia (Madison Lintz) by having her stagger out of Hershel's (Scott Wilson) barn, revealed to be dead and transformed into a walker. The quest to find Sophia,...
Read More »For a TV series whose chief antagonist serves as a constant reminder of the creeping inevitability of death, "The Walking Dead" certainly is in a hurry to surprise its audience, at least according to showrunner Glen Mazzara. "One, we hit the ground running, and two, it’s go...
Read More »Versatile Liverpool-born actor David Morrissey has taken roles ranging from prime minister-to-be Gordon Brown in Stephen Frears' "The Deal" to the Duke of Norfolk in "The Other Boleyn Girl" to the object/victim of Sharon Stone's affections in "Basic Instinc...
Read More »Sure, with "True Blood," "Girls," "Nurse Jackie," and more, Sunday is always overcrowded with high-end TV, but what to watch the rest of the time? Each Monday, we bring you this guide to five noteworthy highlights from the other six days of the week.
Read More »Look out Disney and David Fincher, you might be beat to the punch. While the long brewing adaptation of "20,000 Leagues Of The Sea" has been developing as a mega 3D blockbuster with James Cameron lending his technical advice and wizadry behind the scenes, and Fincher in the driver's se...
Read More »For a film produced on a government-funded scheme that gave its recipients a budget of £100,000, Eran Creevy’s debut film, 2008’s “Shifty,” has enjoyed a long cultural half-life. Although it didn’t get a decent airing outside of the U.K. – and even then was little-seen, in spite of an array of awards and critical attention – this hasn’t diminished the prospects of its director Creevy, whose follow-up “Welcome To The Punch” has been catching our attention since it we profiled its script when it charted high on the annual Brit List some months ago. Already confirmed to star were James McAvoy (who could do with off-setting his debonair know-it-a...
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