Reed Morano’s second feature is an admirably bold but aggravatingly banal story about the loneliness of living with other people.
Less twee and more textured than “Beginners,” Mills’ new film is a densely layered delight that’s topped off with killer performances.
Rising distributor A24 is cutting a swath at the specialty box office that is the envy of its rivals.
The Danish director likes to work from a place of fear and instinct, he says, and he’s not afraid to stir up controversy, as he proved yet again at Cannes.
The 12 Hottest Box Office Prospects Coming Out of Cannes
