Heal the Living

Heal the Living

Ivory Coast-born filmmaker Katell Quillévére adapts Maylis de Kerangal’s Booker Prize–longlisted novel for this elegant and affecting film which draws three seemingly unrelated stories together into a tale about the moment when tragedy meets hope. [Synopsis courtesy of Toronto International Film Festival]

The Man Who Laughs

Gwynplaine, son of Lord Clancharlie, has a permanent smile carved on his face by the King, in revenge for Gwynplaine’s father’s treachery. Gwynplaine is adopted by a travelling showman and becomes a popular idol. He falls in love with the blind Dea. The king dies, and his evil jester tries to destroy or corrupt Gwynplaine.

Essential Killing

Captured by the US military in Afghanistan, Mohammed is transferred to a secret black site in Eastern Europe for interrogation, where he manages to escape.

The Diving Bell and the Butterfly

Elle France editor Jean-Dominique Bauby, who, in 1995 at the age of 43, suffered a stroke that paralyzed his entire body, except his left eye. Using that eye to blink out his memoir, Bauby eloquently described the aspects of his interior world, from the psychological torment of being trapped inside his body to his imagined stories from lands he’d only visited in his mind.

Venus in Fur

Alone in a Paris theater after a long day of auditioning actresses for the lead role in his new play, writer-director Thomas complains on the phone about the poor caliber of talent he has seen. No actress has what it takes to play his lead female character-a woman who enters into an agreement with her male counterpart to dominate him as her slave. Thomas is about to leave the theater when actress Vanda bursts in, a whirlwind of erratic-and, it turns out, erotic-energy.
At first she seems to embody everything Thomas has been lamenting. She is pushy, foul-mouthed, desperate and ill-prepared-or so it seems. But when Thomas finally, reluctantly, agrees to let her try out for the part, he is stunned and captivated by her transformation. Not only is Vanda a perfect fit (even sharing the character’s name), but she apparently has researched the role exhaustively-down to buying props, reading source materials and learning every line by heart. The likeness proves to be much more than skin-deep. As the extended “audition” builds momentum, Thomas moves from attraction to obsession… [Synopsis courtesy of Cannes]