It’s 1948 and the Cold War has reached Chile. In congress, Senator Pablo Neruda accuses the government of betrayal and is swiftly impeached by President Videla. Police Prefect Óscar Peluchonneau is assigned to arrest the poet. Neruda tries to flee the country with his wife Delia del Carril, but they are forced into hiding. In the struggle with his nemesis Peluchonneau, Neruda sees an opportunity to reinvent himself. He plays with the Prefect, leaving clues designed to make their game of cat-and-mouse more dangerous, more intimate. In this story of persecution, Neruda recognizes his own heroic possibilities: a chance to become both a symbol for liberty and a literary legend. [Synopsis courtesy of Directors’ Fortnight]
Alex (Gael García Bernal) and Nica (Hani Furstenberg) are young, in love and engaged to be married. We meet them in the Caucasus Mountains in Georgia, where they embark on a pre-marital hiking trip. They hire a local guide, Dato (Bidzina Gujabidze), and trek into the wilderness. The vast landscape has a craggy beauty, as well as an odd sense of foreboding to which the young couple initially seems immune. Walking for hours on end, the travellers occasionally talk, sing or play word games, but more often they allow their surroundings to envelop them in silence. We come to know this couple and the full spectrum of their relationship through nuance and detail, subtle negotiation and exhilarating physicality. Then something occurs: a gesture almost missed, a moment that can’t be undone but changes everything. This single instance rocks the foundation of Alex and Nica’s relationship, and challenges everything they believed about each other. All the while Dato is nearby, a witness to everything that occurs. As their travels continue, Dato’s presence becomes more important. Alex and Nica alternatively turn to him when they are not comfortable being with each other. [Synopsis courtesy of TIFF]
Three interconnected stories about the different strata of life in Mexico City all resolve with a fatal car accident. Octavio is trying to raise enough money to run away with his sister-in-law, and decides to enter his dog Cofi into the world of dogfighting. After a dogfight goes bad, Octavio flees in his car, running a red light and causing the accident. Daniel and Valeria’s new-found bliss is prematurely ended when she loses her leg in the accident. El Chivo is a homeless man who cares for stray dogs and is there to witness the collision. Amores Perros is the first film in Iñárritu’s “Death Trilogy”.
August 3, 2010, Pima County, Arizona—Deep in the sun-blistered Sonora desert beneath a cicada tree, border police discover a decomposing male body. Lifting a tattered T-shirt, they expose a tattoo that reads “Dayani Cristal.” Who is this person? What brought him here? How did he die? And who—or what—is Dayani Cristal?
While on a trip to Thailand, a successful American businessman tries to radically change his life. Back in New York, his wife and daughter find their relationship with their live-in Filipino maid changing around them. At the same time, in the Philippines, the maid’s family struggles to deal with her absence.
“A Little Bit of Heaven” is a love story set in New Orleans about an irreverent young woman who unexpectedly falls in love with her doctor. Marley Corbett (Kate Hudson) is young, beautiful, and wildly funny, but she’s afraid of opening herself up to true love and commitment. Though she uses her humor to prevent matters from getting serious, a life-changing visit to her doctor (Gael Garcia Bernal) sends both of them on an eye-opening adventure of mutual discovery, leading to revelations neither thought possible. [Synopsis courtesy of AceShowbiz]
Focuses on Sebastian and Costa, obsessive filmmakers who, in their quest to uncover the myth of Christopher Columbus and resistance to colonial power by Indian rebel Hatuey, ultimately end up embroiled in a modern revolt against Western multinationals in the Bolivian “water wars” brought on by the forced privatization of Bolivia’s leading public water companies in 2000.