The Working Class Goes to Paradise

A conscientious factory worker gets his finger cut off by a machine. Although the physical handicap is not serious, the accident causes him to become more involved in political and revolutionary groups. (IMDb)

The Mattei Affair

Enrico Mattei helped change Italy’s future, first as freedom-fighter against the Nazis, then as an investor in methane gas through a public company, A.G.I.P., and ultimately as the head of ENI, a state body formed for the development of oil resources. October 27, 1962, he died when his private airplane crashed, one minute before it should land at Milan airport. Officially, he died of a flight accident. Actually, many journalists explored other plausible reasons for the untimely landing of the small aircraft.

Slap the Monster on Page One

1972, Milano. We are just a few days before the general elections. The daughter of a well-known professor is found dead. Mr Bizanti editor in chief of newspaper “Il Giornale”, in agreement with its owner Mr. Montelli, decides to charge of following the story the junior Roveda and the senior Lauri. At one point, some elements indicates senator Boni as a possible murderer. All the “old guard” within “Il Giornale” drives articles in order to underline responsibilities of senator Boni. But young Roveda doesn’t surrender and continues to search for the truth. (IMDb)

A Fistful of Dollars

A Fistful of Dollars (Italian: Per un pugno di dollari) is a 1964 Italian spaghetti western film directed by Sergio Leone and starring Clint Eastwood, alongside Gian Maria Volonté, Marianne Koch, Wolfgang Lukschy, Sieghardt Rupp, José Calvo, Antonio Prieto, and Joseph Egger. Released in Italy in 1964 and then in the United States in 1967, it initiated the popularity of the Spaghetti Western film genre. It was followed by For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), also starring Eastwood. Collectively, the films are commonly known as the “Dollars Trilogy,” or “The Man With No Name Trilogy.” The film is an unofficial remake of the Akira Kurosawa film Yojimbo (1961), resulting in a successful lawsuit by Toho. In the United States, the United Artists publicity campaign referred to Eastwood’s character in all three films as the “Man with No Name.”