At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, “does not exist, nor will it ever exist.” His goal is to locate – and eliminate – a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In Crossing Over, writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create — in 21st century L.A.
When hard-working TV producer Becky Fuller (McAdams) is fired from a local news program, her career begins to look as bleak as her hapless love life. Stumbling into a job at “Daybreak” (the last-place national morning news show), Becky decides to revitalize the show by bringing on legendary TV anchor Mike Pomeroy (Ford). Unfortunately, Pomeroy refuses to cover morning show staples like celebrity gossip, weather, fashion and crafts – let alone work with his new co-host, Colleen Peck (Keaton), a former beauty queen and longtime morning show personality who is more than happy covering morning “news.” As Mike and Colleen clash, first behind the scenes and then on the air, Becky’s blossoming love affair with fellow producer, Adam Bennett (Wilson) begins to unravel – and soon Becky is struggling to save her relationship, her reputation, her job and ultimately, the show itself.
Barney (Stallone), Christmas (Statham) and the rest of the team comes face-to-face with Conrad Stonebanks (Gibson), who years ago co-founded The Expendables with Barney. Stonebanks subsequently became a ruthless arms trader and someone who Barney was forced to kill… or so he thought. Stonebanks, who eluded death once before, now is making it his mission to end The Expendables — but Barney has other plans. Barney decides that he has to fight old blood with new blood, and brings in a new era of Expendables team members, recruiting individuals who are younger, faster and more tech-savvy. The latest mission becomes a clash of classic old-school style versus high-tech expertise in the Expendables’ most personal battle yet.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to snuff a quartet of replicants, who have escaped to Earth seeking their creator for a way to extend their short life spans.
A documentary on legendary movie-poster artist Drew Struzan.