New York City. Melvin Udall, a cranky, bigoted, obsessive-compulsive writer, finds his life turned upside down when neighboring gay artist Simon is hospitalized and his dog is entrusted to Melvin. In addition, Carol, the only waitress who will tolerate him, must leave work to care for her sick son, making it impossible for Melvin to eat breakfast.
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma’s marriage, Aurora shows how difficult and loving she can be. The movie covers several years of their lives as each finds different reasons to go on living and find joy. Aurora’s interludes with Garrett Breedlove, retired astronaut and next door neighbor are quite striking.
Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance.
Warren Schmidt is a retired insurance salesman, who at age 66, has no particular plans other than to drive around in the motor home his wife insisted they buy. He’s not altogether bitter, but not happy either, as everything his wife does annoys him, and he disapproves of the man his daughter is about to marry. When his wife suddenly dies, he sets out to postpone the imminent marriage of his daughter to a man he doesn’t like, while coping with discoveries about his late wife and himself in the process.
To take down South Boston’s Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise in Martin Scorsese’s multiple Oscar-winning crime thriller. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there’s a mole among them.