We always like it when actors we like join projects by directors we like, so this kind of news makes us happy. Over the summer, it was revealed that Ryan Fleck and Anna Boden, the filmmaking pair behind "Half Nelson" and "Sugar," had lined up their next project. "Missis...
Read More »Open Road is reopening David Ayer's powerful must-see LA cop drama "End of Watch" for awards consideration nationally on December 7. The IFC Center is also bringing back November 30 Ava DuVernay's smart, elegantly shot and well-acted "Middle of Nowhere."
Read More »Of all the dark horse Oscar hopefuls this year, none deserves more consideration than Jake Gyllenhaal for his role as an LA cop in David Ayer's "End of Watch." It's such a competitive year for leading actors that I hope this performance in an admittedly small but well-reviewed indie film will be see...
Read More »Imitation is the usual form of Hollywood flattery. You can count on a movie like "Taken" to not only spawn a sequel (which opened well enough to reinforce Liam Neeson's misguided belief that chasing big paydays is the best career path) but a slew of imitators.
Read More »So has Jake Gyllenhaal found his Martin Scorsese? Whatever is happening between him and French Canadian filmmaker Denis Villeneuve ("Incendies") seems to be working as after spening the summer with him shooting "An Enemy," he's going to take a role in the director's next ...
Read More »David Ayer grew up in the volatile neighborhood of South Central L.A. and has mined his experiences in such films as 'Training Day' and 'Harsh Times.' He has a particular fascination with the L.A.P.D., but 'End of Watch,' which he wrote and directed, isn’t simply more of the same.
Read More »The prospects of a gritty cop movie in the context of the found footage genre makes sense when one considers that the reality series "COPS" helped solidify the vernacular associated with the format. But "End of Watch" only uses the first person approach to frame the familiar dramas of two hackneyed characters, cocksure young officers Taylor (Jake Gyllenhaal) and Zavala (Michael Peña), as they uncover the dark underbelly of the drug trade in south central L.A. Taylor's obsession with filming their exploits provides a handy excuse for the constant shaky cam, but director David Ayer often abandons the device for...
Read More »Like "Harsh Times" before it, police drama "End of Watch" conflates realism with sensationalism. In fact, writer/director David Ayer sustains an abrasive tone throughout "End of Watch" in a number of ways. Firstly, Ayer gives his buddy cop drama a cheap kind of imm...
Read More »After bursting onto the scene with "Half Nelson," which featured a career-making turn by Ryan Gosling, filmmaking duo Ryan Fleck and Anna Boden haven't exactly lived up to those heights, with the criminally underrated "Sugar" flying below the radar, and the lightweight &...
Read More »You have to hand it to David Ayer, he has found his niche and he’s working it hard. From “Training Day” to films like “The Fast And The Furious,” “Harsh Times” and “Street Kings” he’s worked steadily in the urban crime genre, mostly followi...
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