Young married couple Tim and Lee have planted the seeds of a family in their East LA duplex. Three years after the birth of their son, they’re still adjusting to the joy and pain of life with kid, navigating potty talk at the dinner table, disagreeing over preschools, and putting off doing their taxes. For a change of pace, they decide to housesit for one of Lee’s Westside yoga clients. Once there, Tim discovers something suspicious in the yard that gets the wheels in his head turning, and Lee, worried that he will become obsessed with digging deeper, decides to drop their toddler off with her mother for a much-needed night out on the town. Sans-wife, Tim invites his buddies over, and a “boys-will-be-boys” scenario ensues, full of drinking, awkward joint-passing, and perhaps getting a bit too close to a girl who isn’t the mother of his child. [Synopsis courtesy of Sundance Film Festival]
Lifelong friends and national idols Ricky Bobby and Cal Naughton Jr. have earned their NASCAR stripes with their uncanny knack of finishing races in the first and second slots, respectively, and slinging catchphrases like “Shake and bake!” But when a rival French driver coasts onto the track to challenge their records, they’ll have to floor it to retain their top-dog status.
Audrey has all of the qualities that her twin sister Laurel wishes she possessed: confidence, style, independence. When tragedy strikes, Laurel has the opportunity to reinvent herself. In a complex performance, Zoe Kazan poignantly captures Laurel’s complex mix of loss and awakening, especially as she begins a new relationship with her neighbor (Jake Johnson). Jenée LaMarque’s first feature film is a quirky, lovely tale of identity and the eternal bond between two sisters.