The film is a comedy about an uptight New York City lawyer who takes her two spirited teenagers to her hippie mother’s farmhouse in the countryside for a family vacation. What was meant to be a weekend getaway quickly turns into a summer adventure of romance, music, family secrets, and self-discovery. [Synopsis courtesy of TIFF]
The loons are back again on Golden Pond and so are Norman Thayer, a retired professor, and Ethel who have had a summer cottage there since early in their marriage. This summer their daughter Chelsea –– whom they haven’t seen for years — feels she must be there for Norman’s birthday. She and her fiance are on their way to Europe the next day but will be back in a couple of weeks to pick up the fiance’s son. When she returns Chelsea is married and her stepson has the relationship with her father that she always wanted. Will father and daughter be able to communicate at last?
The film MISS REPRESENTATION exposes how American youth are being sold the concept that women and girls’ value lies in their youth, beauty and sexuality. Explores the under-representation of women in positions of power and influence in America, and challenges the media’s limited portrayal of what it means to be a powerful woman. It’s time to break that cycle of mistruths.
Today the name Orry-Kelly typically draws blank looks. But in Hollywood’s golden age, he was a leading costume designer who won Oscars for An American in Paris, Les Girls, and Some Like it Hot. Emigrating from Australia to America in the 1920s, Orry George Kelly took on his hyphenated name for show business and, as a gay man, kept many secrets until his death in 1964.
In Women He’s Undressed, filmmaker Gillian Armstrong delves into Kelly’s untold stories with an approach that’s as bold and playful as he was. [Synopsis courtesy of TIFF]
Fred and Mick, two old friends approaching their eighties, are enjoying a vacation in a lovely hotel in the foothills of the Alps. Fred, a retired composer and conductor, has no intention of returning to his music career which he dropped a long time ago, while Mick, a director, is still working, hurrying to finish the screenplay of his latest film. Both friends know that their days are numbered and decide to face their future together. But unlike them, no one else seems worried about the passing of time… [Synopsis courtesy of Cannes Film Festival]
When their father passes away, four grown siblings, bruised and banged up by their respective adult lives, are forced to return to their childhood home and live under the same roof together for a week, along with their over-sharing mother and an assortment of spouses, exes and might-have-beens. Confronting their history and the frayed states of their relationships among the people who know and love them best, they ultimately reconnect in hysterical and emotionally affecting ways amid the chaos, humor, heartache and redemption that only families can provide— driving us insane even as they remind us of our truest, and often best, selves.