This summer has been full of big, glitzy animated movies from most of the major studios that have made tons of money but left audiences cold. None of them were particularly imaginative, entertaining or emotionally involving, instead choosing to coast on a steady stream of solid (if not exactly dazzl...
Read More »2011 hasn’t exactly been an exceptional year for animated films. Besides this spring’s deliciously strange “Rango” and this summer’s gorgeous, supple “Winnie the Pooh,” there hasn’t been a whole lot to fawn over, animation-wise. (When Pixar unloads a colossal letdown like “Cars 2,” you know the medium is having an “off year.”) Thankfully, 2012 is poised to be an embarrassment of riches, with new movies from proven studios like Blue Sky (“Ice Age: Continental Drift”), Illumination ("The Lorax"), Disney ("Wreck-It Ralph" and Tim Burton's "Frankenweenie") Aardman (“The Pirates! Band of Misfits”) and the beloved Studio Ghibli (“The Secret World o...
Read More »There’s a vague sense of cruelty to the direct-to-DVD market, which is used to solely accommodate cheap genre products, but more often seems like a dumping ground for unusual niche projects that die a slow death on the festival circuit. They usually get treated much like the aptly titled “American Loser,” a dramatic half-comedy with Seann William Scott that went through a number of title changes before being dumped onto the market. The film now carries a title that not only insults the lead character, and by extension Scott (who has experimented a few times in risky projects that ended up with negligible releases), but it cravenly attempts to...
Read More »Even the most casual dabbler in Internet jokes have seen the ad at the bottom of this piece, a baffling classified entry that holds infinite potential for a good story (and apparently 834509 memes). However, aspiring screenwriters better minimize their pirated Final Draft because filming has already...
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