When Ella’s merchant father suddenly and unexpectedly passes away, she finds herself at the mercy of her jealous and cruel stepmother and stepsisters. Relegated to nothing more than a servant girl covered in ashes, and spitefully renamed Cinderella since she used to work in the cinders, Ella could easily begin to lose hope. Then one day, she meets a dashing stranger in the woods. Unaware that he is really a prince, not merely an employee at the Palace, Ella finally feels she has met a kindred soul. It appears as if her fortunes may be about to change when the Palace sends out an open invitation for all maidens to attend a ball, raising Ella’s hopes of once again encountering the charming “Kit.” Alas, her stepmother forbids her to attend and callously rips apart her dress. But as in all good fairy tales, help is at hand as a kindly beggar woman steps forward and, armed with a pumpkin and a few mice, changes Cinderella’s life forever.

Mr. Turner

“Mr. Turner” explores the last quarter century of the great if eccentric British painter J.M.W. Turner.
Profoundly affected by the death of his father, loved by a housekeeper he takes for granted and occasionally exploits sexually, he forms a close relationship with a seaside landlady with whom he eventually lives incognito in Chelsea, where he dies. Throughout this, he travels, paints, stays with the country aristocracy, visits brothels, is a popular if anarchic member of the Royal Academy of Arts, has himself strapped to the mast of a ship so that he can paint a snowstorm, and is both celebrated and reviled by the public and by royalty. [Synopsis courtesy of Cannes Film Festival]