When flaky novelist Mario turns up one day at the school where Daniel teaches, the educator is convinced the writer is a spirit from his repressed past, buried deep in his subconscious. As children, the two might almost have been brothers. But the marriage between Daniel’s father and Mario’s mother never materialised. This unexpected re-encounter brings both families together. When Mario slits his wrists and dies, Daniel and his wife Laura provide a home for the dead man’s daughter. Laura, who is childless, loves the girl from the moment they meet, but Daniel feels increasingly nervous around her. The demons of his past guilt continue to torment him. Daniel suffers agonies – until things come to a head during a show down in the mountains.
Leo is immediately set adrift by his new found responsibilities as a single parent, a feeling that is made doubly distressing when Dafne, herself understandably confused and heartbroken by her mother’s absence, asks for an “artificial” mother to help her fall asleep at night. It is here that Mañas takes the road less traveled, but to write any more about the plot line he introduces would be unfair to both the viewer and filmmaker alike. Suffice it to say that Leo’s actions are both surprising and potentially dangerous, as they require Leo to subsume his own identity to the point where he nearly loses it.
A police detective in a South American country is dedicated to hunting down a revolutionary guerilla leader.