THE EXTRA MAN is a sophisticated and moving comedy from filmmakers Shari Springer Berman and Robert Pulcini. THE EXTRA MAN follows Louis Ives (Paul Dano), a lonely dreamer who fancies himself the hero of an F. Scott Fitzgerald novel. When a deeply embarrassing incident forces him to leave his job at an exclusive Princeton prep school, Louis heads to New York City to make a fresh start. He quickly finds a 9 to 5 job at an environmental magazine, where he encounters an entrancing, green-obsessed co-worker Mary (Katie Holmes).
A rookie cop is assigned to the 118 Precinct in the same district where he grew up. The Precinct Captain starts receiving letters about two unsolved murders that happened many years ago in the housing projects when the rookie cop was just a kid. These letters bring back bad memories and old secrets that begin to threaten his career and break up his family.
Ruthie Carmichael (Stefania Owen) makes the best of bad circumstances, pulled along in the wake of the hard luck of her mother Rita (Katie Holmes). From escaping a bad boyfriend to their car breaking down on the road to going broke, they continually find themselves in search of stability. When their attempt at settling in a new town hits a stumbling block, and as the shine wears off of the kind strangers who supported them when they had first arrived, even Ruthie struggles to keep it together.
Carla and Marco are manic-depressive poets whose art is fueled by their emotional extremes. When they go off their meds, they end up in the same psychiatric hospital. As the chemistry between them stirs up their emotions, it intensifies their mania. Despite doctors’ and parents’ attempts to separate them, they pursue their beautiful but destructive romance which swings them from fantastical manic highs to suicidal depressive lows, until they have to choose between sanity and love. [Synopsis courtesy of SXSW Film Festival]
Reckless desire wreaks havoc over one Memorial Day weekend, as a family comes face to face with the volatile and fragile nature of love.
The film centers around Elizabeth (Allison Janney), a movie star, who brings her paramour Peter (Christian Camargo) to her lakeside estate to visit her family on Memorial Day weekend. The household includes her ailing brother (William Hurt), her artist son (Ben Whishaw), his ethereal muse (Juliet Rylance), the family doctor (Jean Reno) and the estate’s custodian (Russell Means), the careless caretaker (Michael Nyqvist) and his wife (Cherry Jones), their temperamental daughter (Katie Holmes) and her long suffering ornithologist husband (Mark Rylance) – the keeper of the sacred land where a bald eagle is trying to raise its young. During the weekend a disastrous turn of events leads the family from dysfunction to heartbreak and, ultimately, salvation.
Prim schoolteacher Miss Meadows (Katie Holmes) is not entirely what she appears. Well-mannered, sweet, and caring, yes, but underneath the candy-sweet exterior hides the soul of a vigilante, taking it upon herself to right the wrongs in this cruel world by whatever means necessary. Things get complicated, however, when Miss Meadows gets romantically entangled with the town sheriff (James Badge Dale) and her steadfast moral compass is thrown off, begging the question: “Who is the real Miss Meadows and what is she hiding?” [Synopsis courtesy of Tribeca Film Festival]
In the weekend after thanksgiving 1973 the Hoods are skidding out of control. Benjamin Hood reels from drink to drink, trying not to think about his trouble at the office. His wife, Elena, is reading self help books and losing patience with her husband’s lies. Their son, Paul, home for the holidays, escapes to the city to pursue an alluring rich girl from his prep school. Young, budding nymphomaniac, Wendy Hood roams the neighborhood, innocently exploring liquor cabinets and lingerie drawers of her friends’ parents, looking for something new. Then an ice storm hits, the worst in a century.
Driven by tragedy, billionaire Bruce Wayne dedicates his life to uncovering and defeating the corruption that plagues his home, Gotham City. Unable to work within the system, he instead creates a new identity, a symbol of fear for the criminal underworld – The Batman.