Stones in Exile

In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg’s Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album’s haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. “Exile on Main Street” is released to mediocre reviews that soon give way to lionization.

Pirates of the Caribbean: On Stranger Tides

Captain Jack Sparrow crosses paths with a woman from his past, and he’s not sure if it’s love — or if she’s a ruthless con artist who’s using him to find the fabled Fountain of Youth. When she forces him aboard the Queen Anne’s Revenge, the ship of the formidable pirate Blackbeard, Jack finds himself on an unexpected adventure in which he doesn’t know who to fear more: Blackbeard or the woman from his past.

Shine a Light

Martin Scorsese and the Rolling Stones unite in “Shine A Light,” a look at The Rolling Stones.” Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.

The Rolling Stones: Gimme Shelter

This documentary of the Rolling Stones’ 1969 US tour has become a legendary, harrowing symbol of the tragic demise of the “Peace and Love” era. After a successful tour across the US, the Rolling Stones gave a free December concert at Altamont Speedway in California with the Grateful Dead, Ike and Tina Turner, Jefferson Airplane, and the Flying Burrito Brothers. The band unwisely selected the Hells Angels to provide security, and the bikers resorted to violence to keep the stoned, restless, and often naked crowd in line. The result: dozens of injuries and the on-screen stabbing of a young black man (during “Sympathy for the Devil”) by one of the concert’s staff security. In a manipulative but effective move, the Maysles brothers filmed Mick Jagger in the editing room witnessing the on-camera murder for the first time. The film also works as a rock-and-roll document, capturing the band at their most relaxed, intoxicating, and electrifying.