THE EXTRA MAN is a sophisticated and moving comedy from filmmakers Shari Springer Berman and Robert Pulcini. THE EXTRA MAN follows Louis Ives (Paul Dano), a lonely dreamer who fancies himself the hero of an F. Scott Fitzgerald novel. When a deeply embarrassing incident forces him to leave his job at an exclusive Princeton prep school, Louis heads to New York City to make a fresh start. He quickly finds a 9 to 5 job at an environmental magazine, where he encounters an entrancing, green-obsessed co-worker Mary (Katie Holmes).
Sandrine Bonnaire and Kevin Kline (in his first French-speaking role) shine in this sophisticated feel-good comedy set in idyllic Corsica. Middle-aged chambermaid Hélène’s newfound obsession with the game of chess leads her to seek the tutelage of a reclusive American expat, transforming both of their ho-hum lives in the process. [Synopsis courtesy of Palm Springs International Film Festival]
Dean (Martin) is an artist who is facing the prospect of adulthood along with all of the uncertainties that can be expected. Recently out of a serious relationship and coming to terms with his family home being sold, Dean watches as his friends move forward in life whilst he confronts stagnation. During an impromptu trip to Los Angeles, he meets Nicky (Gillian Jacobs), and finds that he is able to be himself in her presence. Meanwhile his father (Kevin Kline) is also following a similar trajectory, just at a different stage in life. After meeting a real estate agent (Mary Steenburgen) he finds himself opening up again, since the death of his wife. [Synopsis courtesy of Tribeca Film Festival]
Kevin Kline and Glenn Close star as Harold and Sarah Cooper, a couple whose marital troubles are put on hold while they host an unhappy reunion of former college pals gathered for the funeral of one of their own, a suicide victim named Alex. As the weekend unfolds, the friends catch up with each other, play the music of their youth, reminisce, smoke marijuana, and pair off with each other.
Mathias Gold (Kevin Kline) is a down-on-his-luck New Yorker who inherits a Parisian apartment from his estranged father. But when he arrives in France to sell the vast domicile, he’s shocked to discover a live-in tenant who is not prepared to budge. His apartment is a viager – an ancient French real estate system with complex rules pertaining to its resale – and the feisty Englishwoman Mathilde Girard (Maggie Smith), who has lived in the apartment with her daughter Chloé (Kristin Scott Thomas) for many years, can by contract collect monthly payments from Mathias until her death. With no place to go, Mathias strikes a tentative lodging arrangement with Mathilde, instantly clashing with suspicious, lovelorn Chloé over his private dealings with a rapacious property developer, who wants to purchase the apartment. An uneasy détente settles in as the quarreling Mathias and Chloé come to discover a common ground of childhood pain and neglect. As they draw increasingly closer, Mathilde unveils a complex labyrinth of secrets that unites the trio in unexpected ways.
Errol Flynn, the swashbuckling Hollywood star and notorious ladies man, flouted convention all his life, but never more brazenly than in his last years when, swimming in vodka and unwilling to face his mortality, he undertook a liaison with an aspiring actress, Beverly Aadland. The two had a high-flying affair that spanned the globe and was enabled by the girl’s fame-obsessed mother, Florence. It all came crashing to an end in October 1959, when events forced the relationship into the open, sparking an avalanche of publicity castigating Beverly and her mother – which only fed Florence’s need to stay in the spotlight.
In the weekend after thanksgiving 1973 the Hoods are skidding out of control. Benjamin Hood reels from drink to drink, trying not to think about his trouble at the office. His wife, Elena, is reading self help books and losing patience with her husband’s lies. Their son, Paul, home for the holidays, escapes to the city to pursue an alluring rich girl from his prep school. Young, budding nymphomaniac, Wendy Hood roams the neighborhood, innocently exploring liquor cabinets and lingerie drawers of her friends’ parents, looking for something new. Then an ice storm hits, the worst in a century.