White-collar worker Yamashita finds out that his wife has a lover visiting her when he’s away, suddenly returns home and kills her. After eight years in prison, he returns to live in a small village, opens a barber shop (he was trained as a barber in prison) and talks almost to no-one except for the eel he “befriended” in prison. One day he finds the unconscious body of Keiko, who attempted suicide and reminds him of his wife. She starts to work at his shop, but he doesn’t let her become close to him.
Rookie movie director Koichi and his crew travels to the mountain village of Yamamura to film his next movie. The villagers are eventually enlisted to help film the movie and, in particular, 60-year-old lumberjack Katsuhiko helps against his will.
After one of their friends commits suicide, strange things begin happening to a group of young Tokyo residents. One of them sees visions of his dead friend in the shadows on the wall, while another’s computer keeps showing strange, ghostly images. Is their friend trying to contact them from beyond the grave, or is there something much more sinister going on?
After a tragic incident of violence, a bus driver tries to find two other teen-aged survivors, a brother and sister. In Kyushu, southwest Japan, one hot summer morning, a municipal bus is hijacked. In the carnage only three people survive: the driver, a school girl, and her older brother. Suffering from trauma, the driver disappears. The children withdraw in silence. Two years later, their mother has divorced and their father dies at the wheel of his car. They now live alone in the family home. The driver returns to town and takes up household with the children, who are soon joined by their cousin, a college student on vacation. The body of a murdered woman is discovered on the river bank; and the police suspect the driver. Soon after, he buys an old bus; fits it with beds; and invites the three young people to leave on a trip.