Renowned astrophysicist Stephen Hawking and his wife Jane struggle with Stephen’s debilitating illness as he embarks on his groundbreaking study of the nature of time, in this moving adaptation of Jane Hawking’s memoir from Academy Award-winning director James Marsh (Man on Wire). [Synopsis courtesy of Toronto International Film Festival]
Single and middle-aged, beautiful Irene (Margarita Buy) is wholly devoted to her job as an inspector of luxury hotels. Constantly on the road, she indulges in expensive pleasures at impeccable resorts, but always incognito and alone, soon escaping to the next exotic destination with her checklist and laptop in tow. When her best friend and ex Andrea (Stefano Accorsi), who has always been a source of emotional support, suddenly becomes unavailable, Irene is thrown into a deep existential crisis. “Luxury is a form of deceit,” she is told by a fellow traveller in the fog of a steam room, and thus begins Irene’s quest to bring more meaning into her life.
“Mr. Turner” explores the last quarter century of the great if eccentric British painter J.M.W. Turner.
Profoundly affected by the death of his father, loved by a housekeeper he takes for granted and occasionally exploits sexually, he forms a close relationship with a seaside landlady with whom he eventually lives incognito in Chelsea, where he dies. Throughout this, he travels, paints, stays with the country aristocracy, visits brothels, is a popular if anarchic member of the Royal Academy of Arts, has himself strapped to the mast of a ship so that he can paint a snowstorm, and is both celebrated and reviled by the public and by royalty. [Synopsis courtesy of Cannes Film Festival]
Deep in the heart of the English countryside lies the enchanting village of Gladbury. Legend has it every 25 years an angel visits the village candlemaker and touches a single candle. Whoever lights this candle receives a miracle on Christmas Eve. But in 1890, at the dawn of the electric age, this centuries old legend may come to an end.
Abortionist Vera Drake finds her beliefs and practices clash with the mores of 1950s Britain – a conflict that leads to tragedy for her family.