A child’s angelic face conceals a budding sociopath in the audacious feature debut from actor Brady Corbet. A powerhouse international cast led by Robert Pattinson and Bérénice Bejo (The Artist) headlines this dark domestic nightmare. Set amidst the turmoil of World War I and its aftermath, it follows the young son of an American diplomat […]
Denzel Washington plays the most dangerous renegade from the CIA, who comes back onto the grid after a decade on the run. When the South African safe house he’s remanded to is attacked by mercenaries, a rookie operative (Ryan Reynolds) escapes with him. Now, the unlikely allies must stay alive long enough to uncover who wants them dead.
Michael Caine is Harry Brown. If that sentence carries a hint of action-movie menace, it’s not entirely misplaced. Caine’s Harry is eventually roused to awesome and satisfying vengeance, but this film begins in more troubling, nuanced territory.
Harry Brown lives alone, shut away in one of Britain’s bleak public-housing apartment blocks. As his wife lives out her last days in the hospital, Harry restricts his activities to games of chess in the pub with Leonard, his last best friend. All around them swarms chaos. Their housing estate has been taken over by warring gangs that deal drugs and settle scores with impunity. The police, represented here by upright detective Frampton (Emily Mortimer) and her cynical partner Hicock (Charlie Creed-Miles), are reduced to simply informing the victims’ families when the latest shooting or knifing occurs – visits that Hicock calls death-o-grams. [Synopsis courtesy of TIFF]
Liam (Liam Cunningham) and Michael (Michael Fassbender) are professional safe crackers who meet on a simple job to relieve an office safe from its contents. The catch is a light activated alarm system impelling the men to embark on a pitch black heist
The story of Bobby Sands, the IRA member who led the 1981 hunger strike in which Republican prisoners tried to win political status. It dramatises events in the Maze prison in the six weeks prior to Sands’ death.
When the moral values of a longtime wetwork black ops agent is tested during his last operation, he receives an unfavorable psych evaluation. Now he is given a break and a seemingly uncomplicated assignment of simply protecting the security of a young female code announcer, code resources and remote station they are assigned to. After an ambush and one phone call later, it becomes a complicated fight for their survival.