35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.
On the day of their father’s 70th birthday party, four siblings come to terms with the publication of a novel written by the youngest sibling that exposes the family’s most intimate secrets. [Synopsis courtesy of TIFF]
Christine (Rebecca Hall) is an ambitious 29-year-old news reporter in Sarasota, Florida, circa 1974. Relentlessly motivated to succeed, she knows she has talent, but being a driven career woman in the 1970s comes with its own challenges, especially when competition for a promotion, unrequited love for a coworker, and a tumultuous home life lead to a dissolution of self. With ratings in the cellar, WZRB’s station manager issues a mandate to deliver juicier and more exploitative stories, a style firmly at odds with Christine’s serious brand of issue-based journalism. To accomplish her goals, she must overcome her self-doubt and give the people what they want. [Synopsis courtesy of Sundance Film Festival]
How can a split-second decision change your life? While investigating noises in his house one balmy Texas night in 1989, Richard Dane puts a bullet in the brain of low-life burglar Freddy Russell. Although he’s hailed as a small-town hero, Dane soon finds himself fearing for his family’s safety when Freddy’s ex-con father, Ben, rolls into town, hell-bent on revenge.