Natha a poor farmer from Peepli village in the heart of rural India is about to lose his plot of land due to an unpaid bank loan. A quick fix to the problem is the a government program that aids the families of indebted farmers who have committed suicide. As a means of survival Farmer Natha can choose to die. His brother is happy to push him towards this unique ‘honour’ but Natha is reluctant. Local elections are around the corner and what might have been another unnoticed event turns into a ’cause celebre’ with everyone wanting a piece of the action. Political bigwigs, high-ranking bureaucrats, local henchmen and the ever-zealous media descend upon sleepy Peepli to stake their claim. The question on everyone’s lips – “Will he or Won’t he?” As the mania escalates, nobody seems to care how Natha really feels.
Set against the dynamic and colorful spectacle of India’s largest kite festival, the Uttarayan, “The Kite” is a kaleidoscopic whirlwind of energy, romance, and family turmoil. After a five-year absence, businessman Jayesh arrives in the vibrant Gujarati metropolis of Ahmedabad for a surprise visit to his once-grand ancestral home, bringing with him his grown daughter Priya and some unexpected news for the family’s future. While Jayesh is greeted with suspicion by the family matriarch Ba, his widowed sister-in-law Sudha, and resentful nephew Chakku, Priya breaks free and begins a flirtation with an earnest young local named Bobby.
A Southern Gothic family saga transposed to India, “The Kite” weaves the intersecting narratives of its six characters into the lively bustle of the kite festival itself. As Priya wanders the streets among the revelry with a Super 8 camera, her footage too is incorporated into the film’s fabric, making first-time director Prashant Bhargava’s film a sumptuous experience of light, color, and music, as the family comes to terms with its fractured past and fragile dreams.
Wasseypur is no more the town that was once consumed by the raging war between Sardar Khan and Ramadhir Singh. It has spawned a new generation of money squandering lobbyists, turning into foolhardy gangs overnight. With illegal profiteering through scrap trade auctions over the Internet, corrupt government officials, election rigging and hooliganism, the town got murkier. Everyone wanted alliance with the most powerful man of Wasseypur, Faizal Khan. His sole ambition however, is to annihilate Ramadhir Singh, the man with the grand scheme. Gangs of Wasseypur-Part 2 is a fitting conclusion to this story of vengeance, which by now, not just the family but also this town has come to inherit.
Working out of sleazy hotels and abandoned warehouses, brothers Sonu (Nawazuddin Siddiqui) and Vicky (Anil George) are prolific producers of trashy, C-grade films for Mumbai’s booming and underground markets. The ambitious, domineering Vicky is the unquestioned brains of the operation, leading the dim-witted Sonu deeper into a world of divas, money men and movie-loving gangsters. But this precarious partnership is put to the test when the brothers meet Pinky (Niharika Singh), an exquisite ingénue with a shady past
It’s been five months since Kamala has heard from her husband, Harud, a construction worker at a dangerous and potentially corrupt urban worksite. Though others in their rural, snowbound village in Himachal Pradesh, India, know of men who started new families in the city and never returned, they urge Kamala to stay put and await his word. She refuses, stubbornly taking her young daughter, Manya, and her pet goat on a poorly conceived journey—to the regional capital, Shimla, and eventually Delhi—looking for her husband. Along the way, they encounter the mysterious Nawazuddin, who acts as a reluctant guide and protector to the pair for his own unclear motives. [Synopsis courtesy of Sundance Film Festival]