Bruno loves his wife Maxine, but his love and body are slowly undergoing a transformation. Something is beginning to stir inside him and there is nothing he can do to stop it. Because when you first delve into the dark side of love to find power, aggression and hatred, there is no turning back. [Synopsis courtesy of SXSW]
After enduring significant personal setbacks, Kathryn (Academy Award®-winner Rachel Weisz) accepts a well-paying UN peacekeeping job, courtesy of a private military contractor. She arrives in post-war Bosnia expecting a harmonized international effort, but is greeted with disorder and irresponsibility. UN officers behave like immature college students, Bosnian police are uncooperative and there is rampant sexism, both among the local population and in the hallways of the UN. When a brutally injured young woman lands in the UN’s care, Kathryn unearths a terrible underworld of sex trafficking and traces the path of criminality to a shocking source.
Larysa Kondracki’s bold debut takes an unforgiving look at a horrifying contemporary issue. At the centre of her formidable cast (which includes Vanessa Redgrave and Monica Bellucci) is Weisz, who captures the gradations of Bolkovac’s character with aplomb, shifting from naivety to indignation to desperation. Weisz imbues Bolkovac with all the knotty baggage of the character’s past, the details of which are used against her by the enemies she makes along the way. [Synopsis courtesy of TIFF]
Detectives and best friends Andreas and Simon lead vastly different lives; Andreas has settled down with his beautiful wife and son; while Simon, recently divorced, spends most of his waking hours getting drunk at the local strip club. But all that changes when the two of them are called out to a domestic dispute between a junkie couple, caught in a vicious cycle of violence and drugs. It all looks very routine – until Andreas finds the couple’s infant son, crying in a closet. The usually collected policeman finds himself confronted with his own powerlessness and is shaken to his core. As Andreas slowly loses his grip on justice, it suddenly becomes up to the unruly Simon to restore the balance between right and wrong.
With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.