The Limits of Control is the story of a mysterious loner (played by Mr. De Bankolé), a stranger, whose activities remain meticulously outside the law. He is in the process of completing a job, yet he trusts no one, and his objectives are not initially divulged. His journey, paradoxically both intently focused and dreamlike, takes him not only across Spain but also through his own consciousness.
Sarah’s (Dianna Agron) life is as bland as the desert town she’s lived in her whole life. With a future devoid of any passion more inevitable with each passing day, she welcomes the sudden appearance of a sexy, spontaneous stranger named Pepper (Paz de la Huerta). Broke and on the run from a debt she cannot pay, Pepper insinuates herself into Sarah’s quiet life while introducing her to the thrill of drugs, sex, and spirituality. Quiet curiosity quickly develops into profound connection and Sarah finds herself abandoning her friends and family for Pepper’s intoxicating impulsiveness. [Synopsis courtesy of Tribeca Film Festival]
Rey Ciso was once the greatest editor the world had ever seen — but since a horrific accident left him with four wooden fingers on his right hand, he’s had to resort to cutting pulp films and trash pictures. When the lead actors from the film he’s been editing turn up murdered at the studio, Rey is fingered as the number one suspect. The bodies continue to pile up as Rey struggles to prove his innocence and uncover the sinister truth lurking behind the scenes. [Synopsis courtesy of Toronto International Film Festival]