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Lo Que Mas Quiero (What I Most Want)

“Lo Que Mas Quiero,” Delfina Castagnino’s stunning feature film debut, is a heartfelt and sincere portrayal of two young women experiencing profound bereavement. Shot in Bariloche, in the Argentine Patagonia, the film is embedded in the natural world, providing the necessary physical space for the characters to contemplate their present and future.

Maria (Maria Villar) visits her friend Pilar (Pilar Gamboa) who has recently lost her father and lives alone in Bariloche. While Pilar is coming to terms with her loss, Maria too is mourning the loss of love she once had with her boyfriend. Escaping the trap of Buenos Aires, she finds the trip south providing the necessary change to realize that her relationship is coming to an end. And there’s a local boy, Diego (Esteban Lamothe), who offers Maria a wonderful distraction from her problems.

As Maria and Pilar spend their days visiting markets and lakes, cooking dinners and drinking wine, they struggle to accept the changes that their new circumstances demand. Drawing closer together more through shared experience than direct conversation, their companionship brings them both strength and comfort. The film observes key moments in their time together, each captured with beauty and simplicity.

The Argentine Patagonia is a present character in the film, provoking strikingly different responses from the urban Maria and from Pilar, more at ease in the natural world. Expertly shot and wholly original, “Lo Que Mas Quiero” signals the emergence of yet another unique voice from Argentina. [Synopsis by Diana Sanchez/Toronto International Film Festival]

The Fire

Lucía and Marcelo are thirty years old. They are carrying a hundred thousand dollars in cash to pay for their new house. But something comes up for the real estate agent and the signing of the papers is postponed. Tense and filled with frustration, they head back to their old apartment and put the money away in a safe place. Marcelo says to her: “Relax, today’s just another day”. Throughout the 24 hours of wait, the true nature of the love between Lucía and Marcelo unveils, as well as the crisis they are in.

They All Lie

A group of girls and boys in their twenties settle in a country house that seems completely isolated from civilization. One of them writes a novel while the others try to become a gang and prepare a robbery; some fall in love, or seem to be, or believe (or say) they are in love. But these two, three, ten plot lines unfold from what the characters hide or just don’t know, connecting the writing of the novel and the forming of the gang, and the past of two of the characters with that of the house, and of those who perhaps were the two most bitter enemies of nineteenth century Argentine history.