Aspiring actor John (Paul Rudd) and would-be screenwriter Elliot (Patton Oswalt) are two LA dudes approaching their 30th birthdays without yet becoming the megawatt superstars they know they were meant to be. In a town built on who you know (and who knows you), the ambitious duo will set out on an all-day journey through their all-star rolodexes to make it big by the end of the night. [Synopsis courtesy of Tribeca Film Festival]
Dean (Martin) is an artist who is facing the prospect of adulthood along with all of the uncertainties that can be expected. Recently out of a serious relationship and coming to terms with his family home being sold, Dean watches as his friends move forward in life whilst he confronts stagnation. During an impromptu trip to Los Angeles, he meets Nicky (Gillian Jacobs), and finds that he is able to be himself in her presence. Meanwhile his father (Kevin Kline) is also following a similar trajectory, just at a different stage in life. After meeting a real estate agent (Mary Steenburgen) he finds himself opening up again, since the death of his wife. [Synopsis courtesy of Tribeca Film Festival]
The story springs from the real-world headlines of religious cults and mass suicides. With Veil, it begins 30 years ago, when members of a religious cult known as Heaven’s Veil take their own lives. The truth behind what really happened remains buried deep in the memory of the sole survivor, a five-year-old girl, who returns to the compound with a documentary crew as an adult. They soon discover something that is far more terrifying than anything they could have imagined.
High school guidance counselor Jeff, and his platonic friend and co-worker Anne are responsible, well intentioned, kind… and boring. They frustratingly watch on as their peers find love and companionship, while they continue to fail in spectacular fashion when it comes to romance. As they reach their loneliness breaking point they make a pact to forgo their familiar, vanilla personas in exchange for their unexplored, confident alter egos. They wave goodbye to Jeff’s awkward all-male book club and Anne’s flailing attempts to catch the eye of Jeff’s sexy neighbor Max, and say hello to raucous summer nights filled with booze, dancing, and sex. Naturally things don’t exactly go according to plan. [Synopsis courtesy of Tribeca Film Festival]
Mourning the sudden death of his parents, Daniel invites his childhood friends up to their lake house in an attempt to relive the glory days of their youth — whether they like it or not. Things take a turn for the worse when it becomes clear that none of his friends share his nostalgia for the good old days — and his ex-girlfriend shows up with a new fiancé. But as the night progresses, secrets are confessed, romances are rekindled, and a particularly epic game of Whiskey Slaps is played.
When unstable Connie (Barbara Hershey) is tragically widowed, she finds it impossible to care for her delinquent adolescent daughter, Nicki, forcing her son, Bill (Reid Scott), to take his sister in. As the two begin to forge a healthy bond, well-meaning Bill implements his own method of treatment for Nicki’s mental troubles, but, when turmoil persists, he must reconcile his beliefs with what actually may be best for his sister. [Synopsis courtesy of Tribeca Film Festival]