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Celebrating 17 Years of Film.Biz.Fans.

Ron Perlman

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    Review: 'Bad Ass' Adds Intriguing Dimension To Hit Viral Video, Then Squanders It With Tacky Exploitation Trappings

    All hail VOD, the format giving new life to disreputable exploitation films. It was problematic to stock them on DVD shelves next to the likes of “Kangaroo Jack” and “The Chronicles Of Riddick.” Now, the cheapest, tackiest, most base thrills are only a click away, allowing an opportunistic indie lik...

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    SXSW '12 Interview: 'Frankie Go Boom' Director Jordan Roberts On The Inspiration Behind Putting Ron Perlman In A Dress

    We weren't sure what to expect of "Frankie Go Boom," the sophomore directorial feature from director Jordan Roberts. There were the helmer's diverse previous credits, from directing ensemble dramedy "Around The Bend," which starred Christopher Walken, Michael Caine and Josh Lucas, to writing the nar...

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    Guillermo del Toro Confirms Ron Perlman for 'Pacific Rim'

    Few filmmakers seem to have as much on his plate as Guillermo del Toro. He always has a plethora of projects threatening to occupy his time, this is even though the director hasn't had a film in theaters since 2008's fantastical superhero tale "Hellboy II: The Golden Army." He rece...

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    Drive—movie review

    Drive arrives with its credentials of cool all set: a hot star (Ryan Gosling) in the lead, a smart supporting cast, a Best Director prize from the Cannes Film Festival, and a stylish retro-noir look. These assets may hoodwink some audiences who don’t stop—or want to stop—...

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    Review: 'Bunraku' Wants To Be 'Sin City' But Is More Like 'The Spirit'

    When you go to see any movie, particularly a genre picture, you are required to make a handshake deal with the film regarding the world it's trying to establish. If the picture can successfully convince you that, yes, this is a world of superheroes who are now retired, or this is a planet where no o...

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    Empire Big Screen '11 Review: By Crom, 'Conan The Barbarian' Is Unbelievably Awful

    For a good quarter of a century, since Arnie hung up his loincloth in 1984's "Conan The Destroyer," people have been trying to bring Robert E. Howard's pulp sword-and-sorcery hero back to the big screen, most notably in John Milius' unmade "King Conan," while The Wachowskis, Robert Rodriguez and Bre...

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    Empire Big Screen '11 Review: Nicolas Winding Refn's 'Drive' Reminds Us Why We Love The Movies

    Good god, it's been a bad year at the cinema. It's not so much that there've been a lot of awful films, although of course there have. It's more that there have been a lot of deeply average ones, and very little greatness to share around. Even the better end of the scale, it's not quite scratched the right itch for us: as good as, say, "Beginners" or "Win Win" or "Midnight in Paris" are, they don't quite get the synapses firing in the way that truly great cinema does. It's the kind of thing that the crime flick has always done well -- there's a reason that the Cahiers du Cinema crowd worshiped early American genre pictures, for example, but t...

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    Comic-Con '11: Guillermo Del Toro & Ron Perlman Keep Hope Alive For "Epic, Gigantic" 'Hellboy 3'

    Ron Perlman Hints That He'll Be In 'Pacific Rim'Of the many, many, many projects Guillermo Del Toro has in various states of development, the one fans tend to ask about the most is "Hellboy 3." So no surprise that at the FilmDistrict panel this afternoon at Comic-Con, where Del Toro was talking up "...

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    Cannes Review: Nicolas Winding Refn's Low-Slung '80s Crime Drama 'Drive' Has A Dark Majesty

    Why is "Drive" -- a seemingly trivial affair about a stuntman and part-time getaway driver, played by Ryan Gosling, pulled into deep and bloody waters on the neon-and-streetlight lit streets of L.A. -- even at Cannes, let alone in competition? It's not merely because of the bloody-but-brilliant background of director Nicolas Winding Refn, whose films (the "Pusher" trilogy, "Bronson," "Valhalla Rising") have demonstrated both an eye for composition and a taste for the jugular. It's not merely because of the film's cinematic roots, with the production seemingly crafted as a clear tribute to '80s-era Michael Mann and other synthesizer-and-faux-l...

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    Plenty Of New Images Unveiled From Nicolas Winding Refn's 'Drive'

    First Look At Albert Brooks, Christina Hendricks, Ron Perlman, Bryan Cranston & Oscar IsaacWith the Cannes Film Festival right around the corner, one film we're champing at the bit to hear and see more of, is Nicolas Winding Refn's latest effort, "Drive."

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