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Outrage (Autoreiji)

The story begins with Sekiuchi (Kitamura Soichiro), boss of the Sannokai, a huge organised crime syndicate controlling the entire Kanto region, issuing a stern warning to his lieutenant Kato (Miura Tomokazu) and right-hand man Ikemoto (Kunimura Jun), head of the Ikemoto-gumi. Kato orders Ikemoto to bring the unassociated Murase-gumi gang in line, and he immediately passes the task on to his subordinate Otomo (Beat Takeshi), who runs his own crew. The tricky jobs that no-one wants to do always end up in Otomo’s lap…

Otouto (About Her Brother)

After her husband’s death, Ginko, her daughter Koharu and Ginko’s mother-in-law take over the Takano pharmacy. But Koharu is about to get married. After the wedding she is going to move in with her husband and will have to leave her mother and grandmother to run the business alone. But she is not happy about this.

Ginko’s younger brother Tetsuro suddenly appears at the wedding reception. He is the black sheep of the family – a failed singer who earns a living working selling fried fish on a street stall. Enchanted by his beautiful niece, Tetsuro gets carried away and puts on a little performance in honour of the bridal couple. His performance shocks the relatives to such an extent that Ginko is obliged to apologise for her brother. The next morning she admonishes her contrite brother, insisting that he forget his dreams of fame and concentrate on his fish stall.

Some time later Koharu surprises Ginko with a visit: her marriage it seems is on the rocks and, before long, the relationship breaks for good. Soon afterwards, Ginko receives a visit from a woman from Osaka, Hitomi, who introduces herself as Tetsuro’s wife. Tetsuro she says is in the throes of drinking and gambling himself to death. Ginko gives the woman some of her savings. Then Tetsure appears at his sister’s place. The siblings quarrel badly and break off all contact. The years go by and then, one day, Ginko receives a phone call asking her to come to Osaka … In “Otouto” director Yoji Yamada tells the turbulent story of a middle-class family.

[Synopsis courtesy of the Berlin International Film Festival]

Beyond Outrage

As the police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West. What started as an internal strife in Outrage has no become a nationwide war in Outrage Beyond.
[courtesy of TIFF]


A powerful and emotional coming of age story, this remarkable tale is told with honesty and originality that will leave audiences moved. In the film, two outsiders, both shaped by the circumstances that have brought them together, forge a deep and lasting love. Directed by Gus Van Sant, one of the most astute observers of people living life on the edge, comes a take on friendship and young love as engaging and true as it is provocative and stirring.

Our Little Sister

Three sisters – Sachi, Yoshino and Chika – live together in a large house in the city of Kamakura. When their father – absent from the family home for the last 15 years – dies, they travel to the countryside for his funeral, and meet their shy teenage half-sister. Bonding quickly with the orphaned Suzu, they invite her to live with them. Suzu eagerly agrees, and a new life of joyful discovery begins for the four siblings… [Synopsis courtesy of Cannes Film Festival]

Hill of Freedom

A Japanese man arrives in Korea to find his old lover. While he stays at a guest house, he encounters various people.

It’s Me, It’s Me

Hitoshi Nagano (Kazuya Kamenashi), who works at an electronics store, picks up a cellphone left behind by a customer and goes about a scam. He calls the person’s mother and pretends to be her son. He then gets the mother to transfer money to his bank account. Soon, Hitoshi gets a lot more than he bargained for. (Source: Asianwiki)