DREAMSTATES

Dreamstates

Guided by the rhythms of an eclectic blend of music that features the most pivotal figures of the Afro-Punk movement, two wayward souls explore their love for one another while on tour across the U.S. [Synopsis courtesy of LA Film Festival]

New York, I Love You

New York, I Love You (a rendition of the French movie Paris, je t’aime) is a 2009 romance film starring Bradley Cooper, Shia LaBeouf, Natalie Portman, Anton Yelchin, Hayden Christensen, Orlando Bloom, Irrfan Khan, Rachel Bilson, Chris Cooper, Andy García, Christina Ricci, Uğur Yücel, Robin Wright Penn, Julie Christie, Maggie Q, Ethan Hawke and James Caan.New York, I Love You is a collective work of eleven short films. It is an anthology film joining several love stories set in one of the most loved cities of the world, New York where Ten vignettes in New York City: a pickpocket meets his match; a young Hasidic woman, on the eve of her marriage, reveals herself to an Indian businessman; a writer tries a pick-up line; an artist seeks a model; a composer needs to read; two women connect; a man takes a child to Central Park; lovers meet; a couple takes a walk on their anniversary; a kid goes to the prom with a girl in a wheelchair; a retired singer contemplates suicide.

Tey (Aujourd’hui)

Today is the last day of his life. He knows this to be true even though he is strong and healthy. Nonetheless Satché (played by American actor-musician Saül Williams) accepts his imminent death. Walking through the streets of his home town in Senegal he takes in the sites of his past as if he were looking at them for the last time: his parents’ house, his first love, the friends of his youth, his wife and children. Time and again he hears the same reproach: why didn’t he stay in America, where he would have a future? Satché encounters his final moments full of fear but also with a sense of joy.
In his film, director Alain Gomis takes a well-worn topic in Senegalese cinema and turns it on its head: unlike other films, many of which choose to focus on emigration and neo-colonialism, Gomis’ work instead tells the story of a man who leaves America to return to the land of his birth. At first Satché’s fellow-Senegalese accompany him lovingly and treat him almost as if he were a saint, but as the day continues Satché discovers how malicious and greedy they can be. Several of the romantic memories he harboured from a distance turn out to be banal when he is face to face with them; nonetheless Satché’s encounter with this reality manages to bring him peace. [Synopsis courtesy of Berlin International Film Festival]