Inspired by the real events of the swift–but devastating–five-day war between Russia and Georgia in 2008, 5 Days of War centers around an American journalist (Rupert Friend) and his cameraman (Richard Coyle) caught in the combat zone during the first Russian airstrikes against Georgia. Rescuing Tatia (Emmanuelle Chriqui), a young Georgian schoolteacher separated from her family during the attack, the two reporters agree to help reunite her with her family in exchange for serving as their interpreter. As the three attempt to escape to safety, they witness–and document–the devastation from the full-scale crossfire and cold-blooded murder of innocent civilians.
E.F. Bloodworth has returned to his home – a forgotten corner of Tennessee – after forty years of roaming. The wife he walked out on has withered and faded, his three sons are grown and angry. Warren is a womanizing alcoholic, Boyd is driven by jealousy to hunt down his wife and her lover, and Brady puts hexes on his enemies from his mamma’s porch. Only Fleming, the old man’s grandson, treats him with the respect his age commands, and sees past all the hatred to realize the way it can poison a man’s soul. It is ultimately the love of Raven Lee, a sloe-eyed beauty from another town, that gives Fleming the courage to reject this family curse. [Imdb]
Over the summer of 1976, thirty-six bombs detonate in the heart of Cleveland while a turf war raged between Irish mobster Danny Greene and the Italian mafia. Based on a true story, kill the Irishman chronicles Greene’s heroic rise from a tough Cleveland neighborhood to become an enforcer in the local mob. Turning the tables on loan shark Shondor Birns and allying himself with gangster John Nardi, Greene stops taking orders from the mafia and pursues his own power. Surviving countless assassination attempts from the mob and killing off anyone who went after him in retaliation, Danny Greene’s infamous invincibility and notorious fearlessness eventually led to the collapse of mafia syndicates across the U.S. and also earned him the status of the man the mob couldn’t kill.
Terrence McDonagh, a New Orleans Police sergeant, who starts out as a good cop, receiving a medal and a promotion to lieutenant for heroism during Hurricane Katrina. During his heroic act, McDonagh injures his back and later becomes addicted to prescription pain medication. McDonagh finds himself involved with a drug dealer who is suspected of murdering a family of African immigrants.
Created under a “manifesto” whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Fortunately, its directors – Harmony Korine (USA), Alexsei Fedorchenko (Russia) and Jan Kwiecinski (Poland) – prove innovative and just insane enough to make The Fourth Dimension an exhilarating experiment.
Palo Alto weaves together three stories of teenage lust, boredom, and self-destruction: shy, sensitive April (Emma Roberts), torn between an illicit flirtation with her soccer coach (James Franco) and an unrequited crush on sweet stoner Teddy (Jack Kilmer); Emily (Zoe Levin), who offers sexual favors to any boy to cross her path; and the increasingly dangerous exploits of Teddy and his best friend Fred (Nat Wolff), whose behavior may or may not be sociopathic. One of the strongest American directorial debuts of the past decade, Coppola’s film has a palpable sense of time and place, but her characters — seeking cheap thrills and meaningful connections — could be teenagers from any generation.
Dusty is a cropdusting plane who dreams of competing in a famous aerial race. The problem? He is hopelessly afraid of heights. With the support of his mentor Skipper and a host of new friends, Dusty sets off to make his dreams come true.
Parody of WWII spy movies in which an American rock and roll singer becomes involved in a Resistance plot to rescue a scientist imprisoned in East Germany.