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Willem Dafoe

  • Indiewire
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    TIFF ISA of the Day: Funny Balloons

    ISA of the Day Funny Balloons has two official selections at TIFF this year.

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    'Pasolini' Reviews: 'Subtle and Seductive' or 'Overwrought?'

    Reviews for Abel Ferrara's biopic aren't as divisive as those for his subject's films, but not for lack of trying.

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    Venice Review: Abel Ferrara’s ‘Pasolini’ Starring Willem Dafoe

    Half a richly textured, engrossing biopic theorizing about the last few days of a notorious Italian provocateur’s life, half an unutterably tedious reenactment of the writings he was working on at the time of his death, Abel Ferrera’s “Pasolini” is a frustrating film, despite vast stretches of compe...

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    Watch: First Clip For Abel Ferrara's ‘Pasolini’ Starring Willem Dafoe, Plus New Photos, Director's Statement & More

    The last few years have not been kind to Abel Ferrara’s career if you've taken a close look, but the filmmaker has soldiered on regardless. Starting around 2007, films like "Go Go Tales" "Mulberry St," "Napoli, Napoli, Napoli" and "Chelsea on the Rocks" either failed to receive North American distri...

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    Watch: First Trailer For Abel Ferrara's 'Pasolini' Starring Willem Dafoe

    Abel Ferrara has always been known for creating characters and stories that delve into extreme human behaviour, but his last couple of films have concerned events that he did not have to dream up. This summer, the filmmaker unveiled "Welcome To New York," the fictionalized tale of former IMF chief ...

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    Willem Dafoe Says " 'Antichrist' Is A More Dangerous, Risky Movie Than 'Nymphomaniac' "

    Having worked with Lars von Trier on four movies to date (including the two-volume "Nymphomaniac"), Dafoe is more than familiar with director's boundary-pushing narratives. After all, his character did get his balls crushed and was jerked off while unconscious until he ejaculated blood in "Antichris...

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    Review: Spy Tale 'A Most Wanted Man' Starring Philip Seymour Hoffman, Rachel McAdams And More

    As the line between television and film gets blurrier, it becomes increasingly difficult to distinguish exactly what makes something qualify to be a film at all. Particularly in the age of “Homeland” and “The Americans,” some may leave a slow-burning, understated spy caper like “A Most Wanted Man” w...

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